Wednesday May 17 Tear of the dog: Jeffrey Masson and Susan McCarthy open up a whole slew of new possibilities in character development with their book When Elephants Weep, a volume that uses studies of joyful squirrels and vengeful whales to explore the authors’ belief in the existence of animal…
It’s hard for those who love art to understand why some would seek it out only to destroy it. What is the motive of the vandal who slashes a painting or defaces a sculpture? Is he deranged? It’s different with architecture. No one would consider out-of-town hotel magnate Fred Kummer…
What books would you bring to a desert island if, heaven forbid, you were condemned to one? What single luxury would you bring to ease the loneliness and discomfort of such an imprisonment? These are the questions asked by three captives in Someone Who’ll Watch Over Me, as they languish…
A lot of cultural pretensions are examined in David Ives’s hilarious collection of six playlets, All in the Timing–mostly in bursts of brilliant and sometimes surreal parody. Though none too deep, this offbeat offering is still right on, and the Germinal Stage Denver’s finely tuned production is as delightful as…
Try to pick the moment when jazz reached its apogee in America, and the summer of 1958 is not a bad choice. In New York’s smokey Five Spot Cafe, pianist Thelonious Monk and his quartet were in the middle of an extended, overreaching engagement that would revolutionize the music forever…
The crux of Crimson Tide is a mutiny aboard a U.S. nuclear submarine at the height of an international crisis–the stuff that huge underwater explosions and tiny ruminations on the future of the planet are made of. This is also standard naval-war movie material. If you let your attention wander…
Wednesday May 10 Left-minded hitter: Radical voice Alexander Cockburn has written a book that hopes to prove that the metamorphosing political left is still kicking in spite of the times. Cockburn will introduce The Golden Age Is in Us: Travels and Encounters 1987-1994, which picks up on the eve of…
Our society has never afforded organized athletics the social status granted to those things ordinarily called culture: music, dance, theater, literature or the visual arts. But that distinction was unknown in the pre-Columbian cultures of Mesoamerica, where team sports were taken as seriously as religion or science. That’s Mexican artist…
Just when you think it’s safe to go to the theater, Christopher Durang shows up somewhere and disturbs all your complacencies. Brilliant, amusing, incisive and ultimately humane, Durang’s caustic assessments of American life and Catholic upbringing manage to undermine even the most insistent optimism. Cattlecall Productions’ appallingly funny The Marriage…
According to the first version of the war in heaven, Michael and his angels fought, and Satan fell like lightning from the sky. God won. Not so in Jose Rivera’s apocalyptic Marisol, in which God loses, in part because he’s already allowed all hell to break loose. Now being presented…
The Indian-born, Harvard-educated director Mira Nair knows a thing or two about culture shock, bigotry and the immigrant’s burdens of adjustment–three of melodrama’s classic subjects. But she is never content with merely yanking at our heartstrings. Unlike more straight-faced, straitlaced filmmakers, this independent thinker also has a healthy grasp of…
The roughhouse political slapstick in Yuri Mamin’s Window to Paris makes for perfect counterpoint to the sweetness of its plea for cross-cultural exchange. The Russian peasant in Mamin is willing to wreck a government phone booth or overturn a snob’s piano to get a laugh, but beyond the mayhem, the…
Wednesday May 3 Step up to the Bar: Today is one day when it won’t be considered poor manners at a party to ask a lawyer for free advice. In recognition of National Law Week, volunteer attorneys from the Denver Bar Association Young Lawyers Division will answer questions at Law…
The power of still photography to inspire deep emotional response was well-demonstrated two weeks ago in Oklahoma City. Adrift in a sea of video, it was the perfectly framed image of a heroic firefighter cradling the body of a dying child that hit the nation in the heart. Photographers interested…
At the end of Hamlet, the stage is littered with bodies. Lee Blessing’s Fortinbras picks up where Shakespeare left off, putting a hilarious new spin on where those bodies are buried. The wit is wry and the characters involving in this lively production at the South Suburban Theatre Company. But…
Mart Crowley’s The Boys in the Band, a breakthrough drama first performed in 1968, is dated in some ways but still packs a punchy–and universal–message. The play has very definite problems, but a strong production now at the Theatre on Broadway underscores its best features. The show takes place in…
Ouch! Four centuries before Lorena Bobbitt fetched her paring knife from the kitchen drawer, the Italians began carving up assorted choirboys in the name of Art. Whether we like it or not, Gerard Corbiau’s Farinelli now tells the bittersweet tale of one Carlo Broschi, supposedly the most renowned of Italy’s…
If you choose to imagine that a woman can get pregnant by dreaming about it, or that the god of good fortune is really Quentin Tarantino and he lives on the bottom of the swimming pool at a fleabag motel in Las Vegas, then Destiny Turns on the Radio may…
Wednesday April 26 The works: Appearing tonight as part of the Creative Music Works’ innovative Wednesday-night music series, the double quartet Index Ensemble will rework a few concepts with the help of two guitarists, two saxophonists, voices, and percussion and vocal samples. Index begins to beat, spin, strum and blow…
The much-talked-about head of the University of Denver’s sculpture department, Lawrence Argent, is paired with Arizona-based ceramic artist Dorothy Rissman in the current exhibit The Figure Re-examined at the Mackey Gallery. What we have here are essentially two single-artist shows, the unifying theme of which becomes evident only upon careful…
Denver artist Linde Schlumbohm can’t stop thinking about food–she’s virtually obsessed with the topic. In What’s Eating Eve?, her fourth annual exhibit at the Pirate co-op gallery, there are references to edibles everywhere: plants and animals, supermarket ads, fruits and vegetables. And there are corpulent women representing the many faces…
What you want from a farce is to laugh at yourself and everyone else whose self-absorption gets them into trouble. And you want the protagonist, however ridiculous he is, to triumph in the end. The lively Lend Me a Tenor at the Aurora Fox is diverting, absurd fun with a…
