Peretz could have given each potential pairing equal time in the story, but he sticks with the most evocative of the two; Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke
William Havu Gallery, which opened twenty years ago on Cherokee Street, is certainly one of the best commercial galleries in Denver.
Back-to-school time for the kids is a good time for you to learn something new, too.
Denver artist and high-school band director Nick Scotella discusses his paintings and his upcoming live painting at Bassnectar’s Bass Center XI.
Local artist Warren Stokes explores art therapy with mazes.
After a cloudy week in Denver, it’s suns out, guns out for weekend warriors
Don’t waste your money, Denver. Fun can be had on the cheap.
Denver writer, artist and creative thinker Deanne Gertner directs her many talents like a laser.
Ahead of the High Plains Comedy Festival, comedian Emily Heller spoke to Westword about her standup special, writing for the HBO show Barry, and nicknames.
Army has lost it all and has only himself to blame in this barroom comedy, made by first-time filmmaker Dennis Hefter.
At its best, the show was a canny deconstruction of contemporary late-night comedy, which has been swamped with political satire since Stewart, the former Daily Show host, turned Bush-era liberal outrage comedy into its very own TV genre
Happytime Murders, though, demands that we take its world somewhat seriously, that we invest ourselves in the tensions between people and puppets, that we buy into its by-the-book serial-killer narrative …
Hit the Galleries
Not in Our House takes aim at sexual assault in the theater community.
Ahead of the High Plains Comedy Festival, Ian Karmel talks with Westword about writing for The Late Late Show, basketball, The Rock, and male sensitivity.
Shot with a crew of four on 16 mm, the film is a gritty, stripped-down character piece, featuring Loden herself as Wanda and Michael Higgins as the thief, Mr. Dennis, alongside a cast of expressive and peculiar non-actors
Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance — delicate, nearly invisible foreshadowing; cogent evocations of backstory — adds reflective layers to the surface anarchy
The cooperative gallery will close after more than two decades on Navajo Street.
Five artists contribute to a seamless show.
Jane Haynie is pole dancing across America to raise funds for African refugees.
How Did This Get Made? celebrates misguided auteurs and actors with gentle mockery and genuine puzzlement.
The film’s wrenching centerpiece is the 2014 death of Eric Garner, killed due to “compression of neck, compression of chest and prone positioning during physical restraint by police” who suspected him of selling loose cigarettes
