Playwright A.R. Gurney is angry. He considers the Bush administration a disaster; he condemns its boneheaded policies, its indifference to the plight of the poor, its preemptive war on Iraq. But Gurney is a kind-spirited, bourgeois, WASP kind of guy, and in The Fourth Wall, his anger is expressed through…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could attract all kinds of people who might never think of setting foot in a conventional dinner theater. Anyone…
The more I think about The Wall of Water, currently being produced by the Hunger Artists Theatre, the more I like it. Playwright Sherry Kramer is obviously a comic talent to watch. The script is farcical, swift and funny, but it touches on all kinds of major themes: madness and…
When I was a child growing up in London, someone gave me a large red book called Sunday, published in the 1880s. On the flyleaf was written “To little Nellie, from Papa.” The book had been created for Victorian children trapped in their dark, stifling houses for a full day…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could — and should — attract all kinds of people who might never think of setting foot in a…
At the beginning of Three Ways Home, currently being produced by the Shadow Theatre Company, Sharon, a white career woman, has volunteered at a social-services agency. She’s assigned to visit Dawn, an African-American welfare recipient suspected of abusing her four children. Sharon’s opening monologues are wittily incisive as she introduces…
Dalton Trumbo was a member of the Hollywood Ten, a group of writers whose careers were ruined during the McCarthy era because they stood up to the House Un-American Activities Committee. After his bluntly hilarious non-cooperative session with the committee — re-enacted in Trumbo: Red, White & Blacklisted — Trumbo…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could attract all kinds of people who might never think of setting foot in a conventional dinner theater. Anyone,…
For its 2nd Annual Summer One-Act Festival, Miners Alley has put together two one-acts about the dramatic process itself. They’re witty, playful and fun to watch, and they work well with each other. The first, Hidden in This Picture, is by Aaron Sorkin, screenwriter for such movies as The American…
OpenStage Theatre & Company in Fort Collins always walks a thin line between professional and community theater, and this production of The Play’s the Thing falls definitively on the community side. The script is by Ferenc Molnar, a Hungarian author best known for the bittersweet Liliom, which, in the hands…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could — and should — attract all kinds of people who might never think of setting foot in a…
I was sorry when I heard that Denver actor Brett Aune was leaving his home town to try his fortune in Los Angeles. Aune, who departed last week, has featured prominently in some of the most memorable theater experiences I’ve had in this town. I remember him as a swan…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could — and should — attract all kinds of people who might never think of setting foot in a…
Bovine Metropolis is a fine, cozy venue, the people who run it are lively and friendly, and I’ve seen good comedy there. But The Mammas & the Papparazzis is simply not ready for prime time, either in terms of material or performance quality. Each and every one of the six…
A year or two ago, the Industrial Arts Theatre Company took over an old movie house on Federal Boulevard. It’s always a good thing when artists move into a funky neighborhood, and the Industrial group is no exception. But the company needs to put more thought and care into the…
Cabaret. Cabaret is grim and distressing, and there’s not a hint of redemption anywhere in it. Quite the contrary. But this is a bloody good production, the kind of production that could — and should — attract all kinds of people who might never think of setting foot in a…
Of this summer’s three productions, The Comedy of Errors is the one most in tune with the Colorado Shakespeare Festival’s slogan, “Shakespeare Under the Stars.” It’s funny, bright, relaxed and magical, the perfect amusement for a soft summer night. Comedy of Errors is an early work based on the comedy…
Menopause The Musical is as much a phenomenon as a piece of theater. As my friend and I entered the New Denver Civic Theatre, we walked into a wall of laughter and chatter. There were women everywhere — in twos and threes, in throngs, elderly women, middle-aged women, young women…
Antony and Cleopatra. Director Robert Benedetti states in the program notes that he has brought a Hollywood sensibility to this text, but the CU production remains stagnant and difficult to follow, perhaps because so many of the actors garble their lines. Antony has been neglecting his duties in Rome for…
When I was in my early teens and an aspiring actress, I read a book by Richard Boleslavsky titled Acting: The First Six Lessons. As I remember, one of these lessons is about a young actress who’s been cast as Ophelia. Although she has found the necessary emotion in herself,…
Jules Massenet’s The Juggler of Notre Dame (Le Jongleur de Notre Dame) was first performed in 1902, and until Central City Opera took it on, it hadn’t been staged in the United States for half a century. It’s a medieval tale, with an essentially timeless theme — the same story…
Antony and Cleopatra. Director Robert Benedetti states in the program notes that he has brought a Hollywood sensibility to this text, but the CU production remains stagnant and difficult to follow, perhaps because so many of the actors garble their lines. Antony has been neglecting his duties in Rome for…
