An O. Henry Christmas takes you on a sentimental journey

Amid the cascade of Christmas Carol remounts, Hallmark family shows and limp holiday parodies, Peter Ekstrom’s An O. Henry Christmas, now being staged by Miners Alley, is a refreshing seasonal choice. We all remember “The Gift of the Magi”: A young couple, dirt poor and madly in love, have no…

With Anywhere But Rome, Buntport is really going somewhere

Ovid, otherwise known as Publius, has been banished from Rome and is traveling with Tiresias, standing at a crossroads, sticking out his thumb. Actually, he’s packed Tiresias in his bag, which the blind seer fiercely resents. In a fit of fury, Ovid burned the single copy of his epic poem…

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Fat Pig. Neil LaBute’s plays are nasty, but they usually contain subtext, irony and ambiguity. Fat Pig has none of these. It’s flat and thin, a straightforward, almost schematic story with a quivering pink core. Tom, a shallow careerist male of the kind we remember from In the Company of…

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Girls Only. The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience participation, is that it’s so relentlessly nice. Creator-performers Barbara Gehring and Linda Klein have worked together for many years; at some point, they read their early diaries to each other and were transfixed…

Neil LaBute’s Fat Pig is no big deal

Playwright Neil LaBute is a king of nasty, but I’ve also always thought of him as tough-minded, daring and original. Now that I’ve seen Fat Pig, though, I’m wondering whether I’ve been fooled. Is it just that nastiness almost always strikes us as clever; that we tend to think the…

The Heritage Square crew delivers biting comedy

The gang at Heritage Square Music Hall has invented a form of theater entirely its own — a combination of scripted and improvised lines, audience interactions, clever jokes and silly jokes that repeat in every show, and we’d be disappointed if they didn’t: What would be the point of a…

The Glass Menagerie is handled with care by Paragon Theatre.

During intermission at The Glass Menagerie, I encountered a very beautiful girl in the ladies’ room — dark-haired, pale, slender, someone who might well be cast as the ethereal Laura Wingfield herself someday. She wanted to know if I liked the production. Yes, I said. She did, too, she said,…

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Girls Only. The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience participation, is that it’s so relentlessly nice. Creator-performers Barbara Gehring and Linda Klein have worked together for many years; at some point, they read their early diaries to each other and were transfixed…

Capsule reviews of current shows

Les Misérables. This huge, sprawling musical is based on Victor Hugo’s novel, and the plot centers on the merciless pursuit of a freed prisoner, Jean Valjean, by a bitter police detective, Javert. In the course of the chase, which continues over several decades, we encounter everything from revolutionaries at the…

Capsule reviews of current shows

Braided Sorrow. No one knows exactly how many young women have been murdered in the Mexican border town of Juárez over the last decade, perhaps three or four hundred. The murder rate shot up after the North American Free Trade Agreement was signed in 1994, when several U.S. companies set…

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Braided Sorrow. No one knows exactly how many young women have been murdered in the Mexican border town of Juárez over the last decade, perhaps three or four hundred. The murder rate shot up after the North American Free Trade Agreement was signed in 1994, when several U.S. companies set…

Mediamockracy takes aim at the politics of the news business

Although there was only a small audience for Listen Productions’ Mediamockracy on the night I attended, its members were intensely involved in the play. As I discovered during the actor-audience chats inserted into the performance, these were media-savvy people, deeply aware of the role of news dissemination in a democracy…

The Trip to Bountiful starts slow but is worth the trek

I was so bored during the first act of The Trip to Bountiful that I had trouble staying in my seat — and this despite a powerful performance from Kathleen M. Brady as Carrie Watts, the elderly woman trapped in a Houston apartment with her son, Ludie, and his disagreeable…

The Arvada Center’s Les Miz is still a dizzying ride

Les Misérables is a huge, sprawling musical filled with emotional songs that tell the story of Victor Hugo’s novel. The plot centers on the merciless pursuit of a freed prisoner, Jean Valjean, by a bitter police detective, Javert. In the course of the chase, which continues over several decades, we…

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Curse of the Starving Class. The moment you walk into the theater, you know you’re in Sam Shepard country — a place suffused with memories of the mythic Old West, but where the breadth and purity of that myth serve only to underline the disappointing realities of contemporary life. You…

We know what women want, and it’s not Girls Only

The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience participation, is that it’s so relentlessly nice. Creator-performers Barbara Gehring and Linda Klein have worked together for many years; at some point, they read their early diaries to each other and were transfixed by the…

Tiny Alice is big and brilliant at Germinal Stage

Some parts of Tiny Alice are laughably literal. At the beginning, for instance, a Catholic cardinal in full black-and-red regalia tweets affectionately at some caged birds — cardinals, naturally. Other words and images seem to offer easy metaphoric puzzles, as when Julian, the lay brother who will emerge as the…