A really smart-looking show now on view at Pirate (3659 Navajo Street, 303-458-6058) has a very matter-of-fact title: New Work by Jimmy Sellars. Sellars is an associate member of the co-op, so his work would normally be found in the back of the gallery space, under the loft. But because…
Denver artist Jeff Starr became famous locally in the ’80s, but in the late ’90s, he took a powder and disappeared. Last year he made a big comeback when his work was selected for the 2003 biennial at Denver’s Museum of Contemporary Art. Artists step in and out of the…
Earlier this fall, the Museum of Contemporary Art/Denver (1275 19th Street, 303-298-7554) launched a program called “NEW PIC” that highlights the work of worthwhile emerging artists in the area. Selected artists, who must live in Colorado and be under the age of thirty, are given a six-month residency at the…
Over the past few decades, the contemporary-art world has gotten so vast that no single approach can characterize our era in the way that abstract expressionism represents the ’50s or pop art evokes the ’60s. Now, just about anything goes, as long as it isn’t of the Bob Ross/ Thomas…
Though Spark Gallery (900 Santa Fe Drive, 720-889-2200) has been in its new digs since this past summer, the members have yet to figure out what to do with the new spot. I have an idea: Wheel some of those temporary walls into the generously sized storage area. Better yet,…
Daniel Libeskind must be happy with Denver since, unlike in New York, the Polish-born American architect has been allowed to follow his vision to its logical conclusion. In New York, Libeskind’s Freedom Tower, which will be erected on the site where the World Trade Center once stood, was neutered and…
Well-established Denver artist Michael Brohman takes an idiosyncratic route to contemporary sculpture in his solo, ME AND MY SHADOW, now at Pirate (3659 Navajo Street, 303-458-6058). Brohman has a preference for working in old-fashioned ways, using metal casting as his method and the nude human figure as his subject. However,…
One of the Denver Art Museum’s greatest strengths is its New World department, which houses two distinct collections: Pre-Columbian and Spanish Colonial. For more than two decades, the department’s founder, visionary curator Robert Stroessner, enthusiastically collected relevant material way ahead of supporting scholarship. He was buying things before anyone –…
Brandon Borchert’s Random Art Two, currently at Capsule @ Pod (554 Santa Fe Drive, 303-623-3460), is one of this season’s hottest prospects. Though Borchert has shown around for the past several years, he was little known until earlier this season. His big breakthrough came with an appearance in this summer’s…
The definitive art history of Colorado has yet to be written, but even without a scholarly guide, it’s not hard to list the great ones. In terms of mid-century-modernist abstraction, for instance, it is widely known that Herbert Bayer, who lived in Aspen, and Denver’s own Vance Kirkland towered over…
There’s an interesting if uneven exhibit of abstract paintings and sculptures at the enormous Studio Aiello (3563 Walnut Street, 303-297-8166). Called Quartet, it includes the work of four artists: Andrew Speer, Chad Colby, Michael Burnett and Jonathan Hils. Speer, who is well known to many because he’s taught in the…
Cydney Payton plays many roles at Denver’s smallish, newish Museum of Contemporary Art, including that of director and chief curator. She doesn’t put together every show at MCA, but she does organize the vast majority of them. In fact, it was her reputation as a first-rate curator that got her…
The redevelopment of Stapleton International Airport by mega-developer Forest City has been surprisingly successful. The town center at 29th Avenue and Quebec Street is very nice, being the best-designed of the many ersatz downtowns that have sprung up all over the metro area. Like Lowry before it, Stapleton has made…
I’ve been pretty tough on Jerry Gilmore, chief curator and director of the art program at the Arvada Center, because he seemed to model his behavior on that of the proverbial bull in a china shop. Soon after he took over a few years ago, for example, longtime staff members…
The formal exhibition spaces at the Arvada Center (6901 Wadsworth Boulevard, 720-898-7200) are called the Lower Galleries and the Upper Galleries; they’re currently filled with impressive solos by Charles Parson and Emilio Lobato (see review, page 45). But there are more informal places at the center where art is exhibited…
Art displayed in public places dates back to the very start of civilization. The Egyptians, the Greeks, the Persians, the Chinese, the Romans and many other ancient cultures adorned their buildings and streets with art. And the situation has changed little over these several millennia. In the here and now…
Mark Brasuell’s solo at Edge Gallery (3658 Navajo Street, 303-477-7173) has the bizarre title of Difficult Abstraction. I say it’s bizarre because the four paintings that make up the show are not the least bit hard to look at. The artist apparently attacked the canvases with paint-loaded brushes, which resulted…
One of the weirdest twists in contemporary art over the last quarter-century — other than increased interest in boring videos and self-indulgent performances — is the way in which beauty has come to be denigrated. Today’s art world is suspicious of beauty, and to say something is decorative is to…
There’s an elegant little show with the possibly insulting name of Silence Nothingness at Sandra Phillips Gallery (744 Santa Fe Drive, 303-573-5969). The title is taken from a Samuel Beckett quote, but taken out of context, the words are robbed of their meaning. The exhibit pairs abstracted versions of the…
Photography includes so many different things, it’s head-spinning. There are all the various styles, plus a wide array of categories, including, of course, fine-art photography. But over the past couple of decades, it’s become all but impossible to separate fashion photography, commercial photography, documentary photography — and especially photojournalism –…
In the space once occupied by the now-gone and nearly forgotten ILK co-op, Lauri Lynnxe Murphy, who was once that group’s director, has opened her own art business, Pod & Capsule (554 Santa Fe Drive, 303-623-3460). Pod is a funky boutique that offers affordable artist-made objects, while Capsule is a…
Among the first chapters in the history of Western art is the one devoted to Egypt, with much of the subsequent story tracing its origins to the objects and buildings produced in the Nile Valley more than 3,000 years ago. This was long before — millennia before, as it happens…
