DOUBLE YOUR PLEASURE

Wes Hempel and Jack Balas, two painters who share a studio and an affinity for narrative content, are now sharing the Robischon Gallery with their separate but equally impressive exhibits. Hempel’s paintings, on display in the front gallery, pointedly evoke art history, specifically seventeenth-century Dutch landscape art–but there’s a feeling…

BIBLIO FILE

Denver city librarian Rick Ashton’s been taking so many bows lately for “The Big New Library,” which is on-time and on-budget, that he really ought to do an aerobics tape. Forgotten in all this excitement is the fact that had it been left up to Ashton, Denver wouldn’t have gotten…

PRINTS VALIANT

There’s a good reason why Denver’s Dale Chisman is frequently described as one of the most important painters in the American West. But in his latest exhibition, he demonstrates (again) that he is also a virtuoso printmaker. Chisman’s One Man Show, at 1/1 Gallery, is filled with marvelous work in…

TAKE ME OUT TO THE ART SHOWS

The clouds of the baseball strike have cast a shadow over the long-awaited opening of Coors Field on March 31. More than likely, the new ballpark will be inaugurated with replacement players instead of the real Rockies. But at the art galleries that line Wazee Street west of the ballpark,…

THE MOD SQUAD

The Denver Art Museum has undergone a radical reorganization in the last few years. Huge amounts of material have been shifted among the curators, and a major beneficiary has been Dianne Vanderlip’s Contemporary department, which gained more than just a prefix when the word “modern” was added to its name…

Flying Blind: The Art at DIA is mostly DOA.

Pity Denver. It’s the Rodney Dangerfield of American cities–it can’t get no respect. Regardless of what’s done here, negative national attention seems to follow. DIA is the most recent case in point. The new airport is nationally renowned not for its radical and dramatic design or its cutting-edge technology, but…

NET WORTH

The mysterious Internet, a computerized environment once inhabited only by government scientists, is becoming more and more consumer-friendly. Although the cyberhighway can be jammed with trivia, its potential is enormous–particularly in the field of visual arts, which can be lonely territory. Off the Highway, a show of photographs at Rule…

GIRL TROUBLE

Full of snowy paper and sleek framing, Female Problems, a new show of mixed-media photo-based art at Emmanuel Gallery, seems as crisp, white and sterile as a hospital operating room. On closer examination, however, the pristine mood is shattered by revelation after revelation of painful experiences involving the vulnerable female…

THEIR AIM IS TRUE

Here in Colorado, we get more than our share of “pretty” photographs of the West. These brilliantly colored fantasies portray a land full of unspoiled scenery, snow-capped peaks, green forests and crystalline lakes. But longtime residents know another West that seldom makes it into coffee-table books or postcards: a vast,…

VITAL SIGNS

Hard as it is to admit, Denver’s alternative scene is aging. Well-established cooperative galleries such as Pirate and Spark are celebrating anniversaries well into the double digits, and many of their members now enjoy elder-statesman status. Housed mostly in shabby storefronts in cheap neighborhoods, these hardy urban survivors can seem…

A GOOD IMPRESSION

When I was around six years old, my mother took a class in oil painting at Emily Griffith Opportunity School. I have vivid memories of her bringing home boxes of smelly paint and handfuls of those tiny books filled with child-sized reproductions of the paintings of Renoir and Van Gogh…

PAST IMPERFECT

Any curator looking to find the best women artists from the Front Range over the last twenty years would do well to read the roster of the Rocky Mountain Women’s Institute. Begun in 1976, RMWI’s annual search for female (and, since 1993, male) artists, writers and performers boasts an impressive…

BODY LANGUAGE

The phrase “read you like a book” has some basis in fact: Most observers will agree that the human body can be read for meaning, much like a text. Some artists have taken the metaphor literally, concentrating on the direct representation of body parts or inventing ways for live bodies…

THE MURAL MAJORITY

Years before LoDo was a dull gleam in a developer’s eye, northwest Denver’s Highlands neighborhood shone as the city’s unofficial arts district. Artists flocked to the area, drawn by cheap rent, urban convenience and choice hangouts like My Brother’s Bar and the old Muddy’s on 29th Avenue. There artists gathered…

NATURE BOY

Rivers have always presented a challenge for landscape artists. Their majesty, their mystery and, especially, their movement all resist a flat, two-dimensional rendering. Enter German artist Mario Reis, whose recently completed North American Nature Water Color Project used an ingenious method to literally capture a river’s essence. Since 1977 Reis…

GENDER FLEX

The fad of pigeonholing art into politically correct categories has created a multitude of interesting genres. Some are lively and welcome inventions, such as Outsider Art, Latino Art or the recent Reclamation Art, where environmentally contaminated areas are resurrected with the aid of public art projects. But few of the…

MIRROR IMAGES

Denver artist Louis Recchia’s raucous, jam-packed style has changed only slightly since he burst onto the Denver art scene in the early Eighties. And in Recchia’s case, that’s a positive: His trademark mirror-filled backgrounds, found-object tableaux and flat cartoony representations of lovers, dogs, ballerinas and everything else under the sun…

FINDERS’ KEEPERS

When Marcel Duchamp found an industrial bottle rack and proclaimed it art, he transformed fine art from an activity for a privileged few to one that everyone–and almost everything–can play. Almost eighty years later, people still delight in “found” objects, abandoning the formal grind of academic art to celebrate the…

ALL TOGETHER NOW

After a decade spent isolated in a Highlands barrio, Spark Gallery, the oldest of Denver’s cooperative art spaces, gained a new lease on life two years ago with its move to the industrial-grunge neighborhood near the Paris on the Platte coffeehouse. The once-sleepy Spark now buzzes with activity: A recent…

SCIENCE FARE

To be an innovator in today’s art world takes more than skill, knowledge and talent–it also helps to know how to focus an electron microscope or calculate the frequency of a microwave transmitter. These seemingly nonartistic techniques are only two elements involved in the extraordinary creations at the Arts Innovation…

THE NAKED PRAY

She stares out of the canvas at the viewer–at nothing. She seems frozen in a moment of deep anxiety, preoccupied with her thoughts. Who is she? In a sense, she is the artist, for this is an intensely realistic self-portrait. But at the same time, this woman and the other…

PIECE OF THE ROCKY

Among the Denver area’s many opportunities for artists, the annual associateships at the Rocky Mountain Women’s Institute are unique, offering studio space, a stipend and a supportive atmosphere to a select group of visual and performing artists and writers. Originally designed to give women artists a place to work on…