The topic of the June 13, 1996, edition of this column was a change in the membership of 16 Horsepower, a terrific Denver band whose major-label debut–the A&M release Sackcloth ‘n’ Ashes–had hit stores just a few months earlier. Keven Soll, who’d been playing bass with cohorts David Eugene Edwards…
Denver musician Eric Bard’s goals are humble. “Basically, what I’m after,” he says candidly, “is a cheap laugh.” The means by which Bard achieves his ends are certainly novel: He uses drums and a saxophone, often played at the same time, to complement his wry brand of beat poetry. This…
And now it’s time for a startling revelation: It’s not easy to find innocence in rock and roll. I know–I recently thought I’d located this rarest of commodities right here in the Queen City of the West, only to discover that just beneath its surface lurked emotions, passions and conflicts…
Maranda Gaylord, the grande dame of the Commerce City Rollers, has never wanted for moxie. Barely one year after she first strapped on a bass, she tried out for Denver’s ’57 Lesbian in the hopes of filling the slot vacated by Spell’s Chanin Floyd. Her audition, she admits frankly, was…
Curtis Mayfield New World Order (Warner Bros.) Mayfield, who was paralyzed from the neck down in an onstage accident, discovered a year or so ago that he could sing as long as his body was in a reclining position. But doing so remains an exhausting struggle for him–and the sheer…
Last week, I compiled my list of favorite national releases from the past year (“The Prize Patrol,” December 26). This week, peruse my alphabetical roster of 1996’s best Colorado releases: ten fine recordings by a variety of local artists whose work rivals (and, in many cases, surpasses) the efforts of…
What follows is a list of the best albums of 1996. Sort of. Each December this decade, I’ve sat down to compile a roster of the finest recordings that came my way during the preceding eleven months. But because of the sheer volume of material I’ve heard–and because I try…
It’s not that the members of Furious George and the Monster Groove are lazy. Anyone who’s seen a club gig by the combo (lead singer James Elias, bassist Luke Davis, drummer Scott Bruggeman, guitarist Jimmy Boardman, trombonists Abraham Martinez and Brian Mohr, trumpeter Tony Marino and saxophonist Brian Schilling) knows…
Various Artists Evita: The Complete Motion Picture Music Soundtrack (Warner Bros.) According to the tabloid press, Evita is the most anticipated new film of 1996–although the people who seem most eager to see this musical biography of the late Argentinian Eva Peron are those who assume it will be more…
It’s time for Feedback’s year-end clearance. All items must go. The closings of (america) and the Tivoli Brewery Restaurant–both located in the Tivoli complex, which serves as a student center for the Auraria campus–are embroiled in a mystery that doesn’t seem likely to be cleared up anytime soon. Rosemary Fetter,…
“Country music is like Spam,” claims disc jockey Rich Beall. “A lot of people don’t want to admit to it, but they sure do like it.” He pauses before adding, “Some people just don’t want to come out of the closet and say, ‘I like classic country.'” While Beall doesn’t…
“I’ve always hated the radio,” announces Ed Ruscha, leader of the Maids of Gravity, in a sunny, what-me-worry? voice. “Except for, like–well, I listen to oldies and stuff. But hit radio? So much of it is terrible. Basically I’m like, ‘Fuck, I can’t listen to that shit.'” Given Ruscha’s casually…
When veteran alto saxophonist Hank Crawford and Hammond B-3 wizard Jimmy McGriff formed a quartet in 1986, their record company, Milestone, documented the union with the release of Soul Survivors, a high-energy platter filled with R&B, blues and lots of the sort of soulful jazz with which they’ve long been…
Those local reviews just keep coming. Available on Denver’s Fahrenheit Records is Mirror Image, from Images, a four-piece that operates in the contemporary-jazz arena. That means that Bob Rebholz and his sidemen concentrate on soothing sounds that no one will confuse with the work of Ornette Coleman. The disc includes…
When it came time to categorize the more than thirty holiday releases I’ve received this year for our annual seasonal-CD roundup, I made an odd discovery: The discs fell into more different brackets than ever before. In general, this proved to be a good thing. But as usual, many of…
Tricky Pre-Millennium Tension (Island) In a music scene dominated by the safe, the threadbare and the predictable, Tricky comes on like a sonic anarchist–a ceaselessly creative sort who’s eager to abolish all rules, tear down those power structures that have outlived their usefulness and destroy anything trite that crosses his…
“I made up this little story that kind of describes what I do,” says Miguel Espinosa, the extraordinary flamenco guitarist who makes up half of Boulder’s Curandero. “I imagine a little boy who is walking on this road. So he sees a marble. He puts it in his pocket. Then…
When an independent radio station is swallowed up by a corporate behemoth, things generally change for the worse. But not always. A case in point is KTCL-FM/93.3, a station that’s essentially a property of Jacor, a communications giant based in Cincinnati. The folks at KTCL would likely give me an…
Social Distortion’s Mike Ness is pacing around an East Coast hotel room, his voice loud, his words tumbling out so quickly that he can’t quite keep track of what he’s saying from one minute to the next. It’s hours before showtime, but he’s already running on a toxic cocktail of…
“I think it’s okay to be angry,” says Jesse Malin, the loquacious vocalist and frontman for the New York-based punk band D Generation. “We live in this fairy-tale culture where everything is supposed to have a happy ending. People tell you to buy these clothes, marry this girl, send your…
Joshua Redman Freedom in the Groove (Warner Bros.) Somehow it doesn’t seem fair that previous generations of jazz buffs got an opportunity to experience the inventions of Duke Ellington, Charlie Parker, Miles Davis and Ornette Coleman when these artists were in their primes, while today’s jazz lovers are left with…
By most standards, the music industry has treated Todd Rundgren well. His recordings have been put out by major labels since the late Sixties, and while not all of them were hits, the sales of those that could be described as such have sustained him through the inevitable career downturns…
