Bleecker Street, Friday, January 5, at Cheers, is one of those bands that’s easy to overlook; its predominant qualities (reliability, good fellowship, fine musicianship) don’t always grab listeners the way they should. But Ben Stevens, Washboard Chaz and Steve “Porkchop” Sheldon are solid performers, their new CD, Tumblin’ Down (featuring…
Steve Forbert, Tuesday, January 9, at the Little Bear in Evergreen, enjoyed a brief vogue in the late Seventies and early Eighties: He earned ecstatic reviews for his first album (1978’s Alive on Arrival), a hit single, “Romeo’s Tune,” from his second (1979’s Jackrabbit Slim) and enduring respect from listeners,…
If it’s true what they say about nice guys finishing last, the members of Denver-based Carolyn’s Mother won’t be crossing the finish line anytime soon. After musing that they might be too inoffensive to get noticed, vocalist Rhett Lee says, “We’re gonna have to start burning some bridges or something–piss…
part 1 of 2 Far be it from us to contradict Frank Sinatra, but in many ways, it was not a very good year. Commercial music stagnated to a large degree during the past twelve months. While a few new and exciting artists appeared on the national scene, the majority…
Ozzy Osbourne, with Korn, Monday, December 31, at McNichols Arena, has reneged on his retirement, and who can blame him? During his gory days with Black Sabbath, he was routinely pilloried by social watchdog groups, and his music was sneeringly regarded as boneheaded spook-house fodder by mainstream critics. Now, however,…
part 2 of 2 FOLK Arcady, Many Happy Returns A lot of Irish music is dour; its obsession with questions of mortality and faith can constitute too much baggage for the average Joe. But you’ll get none of that from Arcady. This is a dance band, albeit a traditional one,…
Brethren Fast, Saturday, December 30, at Cricket on the Hill, is well named. The threesome is built on the guitar of Don Messina and bass-ic thumping by his brother Mik. Likewise, the tempos they utilize most often are quick, quicker and quickest. Sometimes the sound, like the instrumentalists’ sideburns, recalls…
Musically speaking, Gregory Walker is a hard man to figure out. And he’s not about to make things any simpler by explaining himself. “Well, I’ll start off with this disclaimer,” he says. “For some reason–maybe it’s narcissism–I love to hear people describe me. I mean, I can’t tell you anything…
Foreskin 500, Tuesday, December 26, at the Bluebird Theater, should shake you out of the post-holiday doldrums. The boys, who’ve been known to air out their private parts in public a time or two, are working on their second album for the Basura imprint (it’s due in early 1996), and…
Spell, with Fox Force 5, Friday, December 22, at the Bluebird Theater, hasn’t achieved the national breakthrough for which many locals were hoping: The band’s 1994 bow for Island Records, Mississippi, was first-rate, but it got lost in the avalanche of generic alt-rock released by the music industry over the…
part 2 of 2 Emmylou Harris Wrecking Ball (Elektra) Harris has an exquisite voice that’s especially moving when contrasted with the right male’s: Witness the poignant majesty of her duets with the late Gram Parsons and the coloratura that she contributed to Bob Dylan’s 1975 LP Desire. But solo records…
part 1 of 2 The Beatles Anthology, Volume 1 (Capitol/Apple) Anyone who expects this to be filled with fresh revelations is hereby advised to travel to India, track down the nearest maharishi and meditate until the delusion passes. To put it another way, the Beatles are arguably the most heavily…
Ken Nordine Colors (Asphodel) Of all the discs released during the high-water-mark year of 1967, this is among the most obscure–and the most wonderful. Nordine, a longtime favorite of performers such as Tom Waits, is now in his mid-seventies, but during his prime he was probably America’s most in-demand voiceover…
The Throttlemen, with the Hillbilly Hellcats, Thursday, December 14, at the Bluebird Theater, is the latest vehicle whose pedal Denver rock veteran Rex Moser is mashing into the floorboards. His past efforts, in acts such as the Pi nk and the Flatlanders, have established him as a man who’s plenty…
Sublime, with Guttermouth and Skankin’ Pickle, Friday, December 15, at the Ogden Theatre, created a small cult masterpiece in 1992–the album 40 Oz. to Freedom. Since then, these Southern Californians have continued to produce an u nusual blend of lo-fi, thrash-infused ska and dub tunes. As the recent Robbin’ the…
It’s not easy to make creative holiday music. Writing a seasonal classic is all but impossible; besides, it takes years to know if you’ve succeeded. And while it’s a snap to cover old favorites, the extraordinary familiarity of the material prevents all but the most innovative performers from doing anything…
That Son Volt’s first album, Trace, makes excellent driving music has everything to do with the habits of the act’s lead singer and guitarist, onetime Uncle Tupelo member Jay Farrar. “I did spend a lot of time driving from my home in New Orleans to Minneapolis,” says Farrar, who made…
“We’re kind of like a comic book come to life,” says Mark D., drummer for Denver’s Fox Force 5. “Seriously, our persona is a cross between a comic book and, like, a bad, circa 1973, One Day at a Time sitcom joined together as one.” The stage names favored by…
Acting like you’re famous while you’re still a relative unknown often can lead to actual fame. That’s a lesson many performers never learn, but Courtney Taylor already knows it by heart. The trippy, self-titled CD by his Portland-based band, the Dandy Warhols, has been heard by only a handful of…
Meat Puppets No Joke! (London) For the Meat Puppets, the key has always been striking the right balance. When the Kirkwood brothers, Curt and Cris, and drummer Derrick Bostrom allow their music and words to drift on a patient narcotic breeze, their tunes are positively addictive–but when they rev up…
Trends always have risen and/or vanished quickly in the pop-music universe, but seldom as viciously as right now. Metal is a case in point. Since exploding in the late Sixties and early Seventies, the style has been as impossible to destroy as cockroaches. Disco, new wave, punk and countless other…
Baldo Rex, with Boss 302, Friday, December 8, at the Lion’s Lair, hasn’t yet taken the nation by storm because of a single, fatal flaw: originality. Sure, the band (featuring Phil Wronski, Tom Sprenkle, John Call and Ted Thacker) makes music that might be described as modern rock, but it…
