Sherri Jackson, with Sweet Water Well, Thursday, January 18, at the Bluebird Theater, doesn’t need much to make her music: a guitar and a couple of backing musicians–plus the occasional throat lozenge–and she’s set. That’s because she’s an incisive lyricist, a dynamic performer (deceptively offhand, thoroughly engaging) and a rapidly…
The annual announcement of nominees for the Grammy awards is usually as lovingly anticipated by people who know and love music as their next proctological examination. Why? Because the performers acknowledged often warrant several years in time-out more than they do statuettes symbolizing their artistic excellence. But this year is…
Several years ago a friend of mine set out to assemble a tape of Elvis Presley songs under the title “Good Elvis/Bad Elvis.” The idea seemed simple: For side A, he planned to compile the finest pieces of Presley; for side B, the worst of the worst–ditties guaranteed to clear…
Upon moving to the Denver area from Washington, D.C., two years ago, vocalist/ composer/keyboardist Rekha Ohal suffered the usual setbacks while establishing herself on the local music scene. But rather than sitting home and feeling sorry for herself, Ohal found another way to exercise her voice: She began teaching a…
Tim O’Brien, 7 p.m. and 9:30 p.m. Friday, January 19, at Swallow Hill Music Hall, is a local boy who continues to make his mark beyond this locality: His current press material includes heartfelt testimonials about his abilities by Mary Chapin Carpenter and Lyle Lovett, among other rich and/or famous…
Brian Wilson and Van Dyke Parks Orange Crate Art (Warner Bros.) Part two of Brian Wilson’s latest comeback can’t help but fall short of the expectations it raises. That’s no surprise: The surviving fragments of Smile, the unreleased 1967 Beach Boys album that marked Wilson’s first collaboration with Parks, don’t…
According to lead singer J.R. Richards, Santa Barbara-based Dishwalla wouldn’t be where it is today without the inspiration of a certain poofy-haired pianist and his dead sister–otherwise known as Richard and Karen Carpenter. “I’m honest to God a real Carpenters fan,” Richards vows. “I grew up listening to my parents’…
On a late December night at the Mercury Cafe, a dozen or so people wander on and off the stage. Some fiddle with various instruments–guitars, horns, hand drums, keyboards. Some chat with those doing the fiddling. And others don’t do much of anything other than soak up the atmosphere or…
Spencer Bohren, Saturday, January 13, at Swallow Hill Music Hall, is a former Fort Collins resident (he now lives in Casper, Wyoming) whose latest album, Present Tense, finds him doing what he’s done for the past quarter-century: paying tribute to American folk music and blues through his intriguing original compositions…
As a result of his late-Sixties recordings and collaborations with onetime Charles Mingus sideman John Handy and vibraphonist Gary Burton, guitarist Jerry Hahn is seen as a springboard for an entire crop of jazz strummers–Pat Metheny, John Abercrombie, John Scofield and Bill Frisell among them. But until the release of…
Warren Zevon, Monday, January 15, at the Bluebird Theater, has a sense of humor twisted enough to appreciate the downturn in his commercial fortunes. Appearing on the scene with a self-titled album in 1976, Zevon burned brighter than almost any of his fellow Southern California songwriters: His first four or…
“Everybody in the band has different tastes,” confides Tim Cloherty, singer and chief songwriter for SoHo pop group the Rake’s Progress. “So when we write songs, we just sort of throw all the ingredients together into a big Rake’s Progress casserole and hope for the best.” The final concoction produced…
In the pop-music universe, three years is a long time–but not that long. A megahit album can keep spewing singles for much of that span, and even groups who have achieved more moderate success with their debuts can put off their sophomore efforts for 36 months or so and still…
Bleecker Street, Friday, January 5, at Cheers, is one of those bands that’s easy to overlook; its predominant qualities (reliability, good fellowship, fine musicianship) don’t always grab listeners the way they should. But Ben Stevens, Washboard Chaz and Steve “Porkchop” Sheldon are solid performers, their new CD, Tumblin’ Down (featuring…
Steve Forbert, Tuesday, January 9, at the Little Bear in Evergreen, enjoyed a brief vogue in the late Seventies and early Eighties: He earned ecstatic reviews for his first album (1978’s Alive on Arrival), a hit single, “Romeo’s Tune,” from his second (1979’s Jackrabbit Slim) and enduring respect from listeners,…
If it’s true what they say about nice guys finishing last, the members of Denver-based Carolyn’s Mother won’t be crossing the finish line anytime soon. After musing that they might be too inoffensive to get noticed, vocalist Rhett Lee says, “We’re gonna have to start burning some bridges or something–piss…
part 1 of 2 Far be it from us to contradict Frank Sinatra, but in many ways, it was not a very good year. Commercial music stagnated to a large degree during the past twelve months. While a few new and exciting artists appeared on the national scene, the majority…
Ozzy Osbourne, with Korn, Monday, December 31, at McNichols Arena, has reneged on his retirement, and who can blame him? During his gory days with Black Sabbath, he was routinely pilloried by social watchdog groups, and his music was sneeringly regarded as boneheaded spook-house fodder by mainstream critics. Now, however,…
part 2 of 2 FOLK Arcady, Many Happy Returns A lot of Irish music is dour; its obsession with questions of mortality and faith can constitute too much baggage for the average Joe. But you’ll get none of that from Arcady. This is a dance band, albeit a traditional one,…
Brethren Fast, Saturday, December 30, at Cricket on the Hill, is well named. The threesome is built on the guitar of Don Messina and bass-ic thumping by his brother Mik. Likewise, the tempos they utilize most often are quick, quicker and quickest. Sometimes the sound, like the instrumentalists’ sideburns, recalls…
Musically speaking, Gregory Walker is a hard man to figure out. And he’s not about to make things any simpler by explaining himself. “Well, I’ll start off with this disclaimer,” he says. “For some reason–maybe it’s narcissism–I love to hear people describe me. I mean, I can’t tell you anything…
Foreskin 500, Tuesday, December 26, at the Bluebird Theater, should shake you out of the post-holiday doldrums. The boys, who’ve been known to air out their private parts in public a time or two, are working on their second album for the Basura imprint (it’s due in early 1996), and…
