Concerts

The Magpie Salute is rising from the ashes of the Black Crowes.

Hate Minor’s David Pereira thinks back to his first concert.

“I don’t know if you’re a musician or anything, but it’s terrible playing to an empty room,” says Paul Whitacre.

From David Byrne to Shakey Graves, there’s a lot going on for music lovers to enjoy.

Westword readers respond to a story about a man being sucker-punched at a jam-band concert.

Grandoozy, the three-day music festival that will take over the Overland Golf Course from September 14 to 16, has announced its schedule.

After 44 years, Dana Cain has finally recorded and released the sci-fi rock opera she wrote as a teen.

Mad Dog Friedman and Alexander Bernat talk about their new album, Be Tankfull, and recording in the Tank recording studio in Rangely, Colorado.

Beatles fans, reggae heads and pretty much every body else: This weekend in Denver concerts is yours.

The day before the first of two back-to-back concerts at Red Rocks Amphitheatre, Nathaniel Rateliff & the Night Sweats scrapped a show at Belly Up Aspen on doctor’s orders: The band’s leader was too sick to play.

Garth Jacob wanted to see Joe Russo’s Almost Dead at Red Rocks. Halfway through the concert, he was punched in the face.

Don’t miss these shows.

On his new record, musician Adam Faucett is reflecting on love, losing the feeling of invincibility one has as a kid, and wrestling with his own mortality.

Most interviews don’t start with a prayer.

Matt Rouch and the Noise Upstairs’ latest song comes with a beer.

Mandolin Orange’s Emily Frantz talks music, performance and song structure ahead of two sold-out shows along the Front Range.

Tickets go on sale on Friday, August 24, at 10 a.m. at altitudetickets.com or livenation.com.

Elephant Revival veteran Bridget Law – who is producing the tenth-annual Sister Winds Festival, taking place at Mishawaka Amphitheatre on Sunday, August 26 – says she’s seen things move in a positive direction for women since she entered the Colorado music scene just over a decade ago.

By the time Cyndi Lauper became an international star with her 1983 debut album, She’s So Unusual, she’d spent most of the previous decade singing for various cover bands.

From the beginning, there was nothing utopian about Slayer.