The Beatdown

“Even the truth sometimes is subjective,” says Sean Kelly. “I mean, it’s so tainted with emotions. It’s all about people’s feelings.” Speaking via cell phone before a Friday-night performance at the Marquee Theatre in Tempe, Arizona, Kelly, the Samples’ frontman, listens calmly to the opinions of his former bandmate, Jeep…

Antibalas Afrobeat Orchestra

Brooklyn-based collective Antibalas (Spanish for “bulletproof”) is the proud musical descendant of Fela Anikulapo-Kuti. The Nigerian-born singer/activist is known as Africa’s Bob Marley and credited as the creator of Afrobeat, an amalgam of West African horn-heavy highlife, funk and jazz. Working within the framework established by Kuti and enhancing it…

Mike Watt

It’s hard to jam econo with a catheter. Ask Mike Watt. In 2000, after an abscess in his perineum burst, the legendary Minutemen and fIREHOSE bassist found himself bedridden with a raging fever, pounding Percodan, hallucinating, peeing orange and contemplating death more than the engine room. Fittingly enough, Watt used…

Strike Anywhere

Politics is a hot topic in the music realm right now, from the superstar stratosphere of Bruce Springsteen and R.E.M. all the way down to your everyday struggling punk-rock band. Virginia’s Strike Anywhere may not be filling stadiums, but its searing melodic hardcore and fierce commitment to social issues has…

Lloyd Banks

The question of whether a performer can transfer everything that’s impressive about a recording to the stage is particularly key in the case of Lloyd Banks, the first member of 50 Cent’s G-Unit squad to get the solo treatment. The Hunger for More, Banks’s debut disc, exceeds expectations, thanks largely…

The Bled

On the Bled’s 2001 EP, His First Crush, the album cover bears the line “Can you still feel the butcher knives?” While it’s a clever play on Jimmy Eat World’s chorus to “For Me This Is Heaven,” from Clarity — “Can you still feel the butterflies?” — it’s also an…

Electrelane

Metronomic beats? Subtle yet complex layers of vintage keys and guitar? A woman singing robotically sexy French/English lyrics? Nope, it’s not Stereolab; it’s England’s Electrelane. But while comparisons to its better-known influence are inevitable, Electrelane is no mere ‘Lab creation. Formed in 1998, the all-female quartet has steadily assembled a…

Retroactive

During a recorded Cowboy Mouth performance of “Jenny Says” (available for a full, free listen on the band’s website), vocalist Fred LeBlanc announces: “When the world is coming down, we’re gonna play a solo.” That slim statement — a twist on a key line in the song’s chorus — is…

Critic’s Choice

By now, even deaf invalids are sick to death of mash-ups — those annoying DJ cuts that smear the vocal tracks of one song over the instrumentals of another. Looks like it’s time to take the whole concept to the next level: a band that crams together the tunes of…

Scratching the Surface

When playing together, Scooter and Lavelle Dupree, the duo better known as San Diego’s LSDJs, possess a chemistry that’s more than simply two DJs taking turns at the turntables. Scooter and Lavelle met while playing out in San Diego. After constantly finding themselves being booked to perform at the same…

The Bright Stuff

I just find that I learn more and more from the reality of stuff and how you should, like, take it,” says Bright Channel’s Jeff Suthers, philosophically, his forehead furrowed in puzzlement. “You can get too wrapped up in stuff and take it way too seriously.” Upon listening to Bright…

Mule Variations

Getting ahold of Warren Haynes is tricky. Understandably, he likes to keep a low profile. For the past few years he’s been touring pretty much non-stop, playing leap-frog between the current incarnations of the Allman Brothers and the Dead, not to mention fronting his own band, Gov’t Mule. Such a…

Helmet

Earlier this year, Interscope exec Jimmy Iovine suggested that Page Hamilton assemble a band to wring a few dollars out of the retired Helmet name. Hamilton obliged, enlisting Orange 9mm’s Chris Traynor to take on guitar and bass duties and White Zombie skinsman John Tempesta to sit behind the kit…

The Exit

If you have to rip someone off, at least shoot for the good shit. New York City’s the Exit picks some great bands to plagiarize, but oddly enough, the trio covets its victims’ more lackluster work: U2’s October, the Police’s Synchronicity, Bad Brains’ I Against I. One man’s trash, though,…

Young Buck

Young Buck (born David Brown) isn’t twice as valuable as 50 Cent, his benefactor, but neither is his rapping seven-ninths less worthy because he’s only eaten two pieces of lead compared to the esteemed Mr. Cent’s nine. Rather, he’s a dynamic, if derivative, performer who’s got a ways to go…

The Pharcyde

Today’s rap game is suffocating in the stale humidity produced by a slew of blowhard MCs. As sweat seeps through its pores like slow lava, out of nowhere appears the Pharcyde with an ice-cold pitcher of Arnold Palmers and a platter of fresh fruit in the form of Humboldt Beginnings…

Bjrk

Whether you consider her a peddler of pretentious twaddle or an endless font of pure Icelandic genius, you have to give Bjrk credit for eschewing safe options. No other platinum-selling diva has had the guts to forge paths as idiosyncratic as those followed by this charismatic artist over the past…

The Good Life

Tim Kasher just isn’t himself today. No big surprise coming from the leader of Cursive, a group in which Kasher exhibits entire textbooks of sociopathic ills — not to mention an uncontrollable urge to narrate in tongues, juggle identities and reference himself as someone who tends to reference himself a…

Joshua Novak

Back in the days when high-quality recording technology was beyond the means of nearly every unsigned musician, homemade discs often cloaked the quality of the artists who produced them behind tape hiss and iffy mixes. Joshua Novak’s new EP isn’t quite that rough a listen, but foggy sonics make it…

Vaux

Watching Vaux (appearing Friday, September 17, at Rock Island) play in a basement years ago, you’d never have guessed that this is where they’d wind up. The group was called Eiffel then, and while its brand of hook-laden emo was clearly more ambitious than most, the players’ visceral, subterranean intensity…

The Beatdown

It’s not uncommon for readers to weigh in on Westword stories. But it is unusual for someone to respond to a story seven years after it was published. Jeep Macnichol, who used to keep time for the Samples, recently sent former Backbeat editor Michael Roberts a letter taking issue with…

Slick Rick

Slick Rick (aka Ricky Walters) was the centerpiece of hip-hop’s golden era, that period of time after Run-DMC had its success and before MC Hammer started dancing for Kentucky Fried Chicken. In 1988 he released The Great Adventures of Slick Rick, a masterpiece filled with witty lyrics and the MC’s…