For several years, John Chamie has been one of the leading personages in the Denver-Boulder dance-music universe. But lately he’s broadened his scope. Now he wants to bring the sounds he loves to the rest of the world–and the quality of the early releases on Terraform Records, the label he…
Although England’s Mad Professor claims to be sane, his many albums offer an argument to the contrary. The leading practitioner of dub music, an instrumental outgrowth of reggae that’s known for its studio effects, he makes music that’s thoroughly, wonderfully berserk. Mixing is in the Professor’s blood: This native of…
Let’s get this out of the way right at the top: The father of Evan, Paige and Preston O’Meara, who constitute three-fifths of Denver’s 8-Bucks Experiment, owns Northglenn-based O’Meara Ford Center and O’Meara Isuzu, two of the metro area’s largest and most heavily promoted car dealerships. But while Pop is…
It probably seemed like a good idea at the time. Chances for the resurrection of Talking Heads, a justly revered band that has been dormant since the release of the 1988 long-player Naked, looked slim: While Tina Weymouth and Chris Franz, the married bassist and drummer of the group, and…
“Thatcher’s gone,” notes singer-songwriter Billy Bragg. “Reagan’s gone. Some people have wondered if that’s why I disappeared off as well.” Indeed, Bragg, an England-based performer as well-known for his left-wing views as for his tunes, has maintained a low profile throughout most of the Nineties. Although he’s written articles for…
In talking about Rock Island, the LoDo club he owns, David Clamage offers kudos to a such a long list of past and present employees and associates that he sounds like Sally Field on Oscar night. But his excitement is understandable. After all, on Thursday, October 31, Rock Island will…
“We’re all about nerd lib,” declares Karl Alvarez, bassist for the recently reunited punk act the Descendents. “Be proud of your nerd.” “We are the champions of the nerds–no doubt about it,” concurs Milo Aukerman, Descendents frontman and star of the new Epitaph Records release Everything Sucks. “‘Revenge of the…
“When people are told about Stereolab,” says the band’s lead singer, French-born Laetitia Sadier, “I’ve heard that they often imagine a dance act. But when they come to our shows–well, they get some songs that can be danced to and some songs that are quite different from what they expect…
Before the Bruce Springsteen show at the Paramount on October 16, I caught a few minutes of the second and (blessedly) final presidential “debate,” broadcast live to the nation from San Diego. What I saw of the event wasn’t exactly scintillating: Bill Clinton oozed fake sincerity (he made a point…
A while back, Kim Docter, the frontwoman behind the psycho-country combo Moonshine Willy, was afraid she was running out of songwriting ideas. Rather than wait idly for her muse to return, however, she attempted to summon her back on a regular basis. “For about six months, I would force myself…
“In Japan, we saw Kip Winger,” maintains Trelvis, bassist for the Denver punk band Pinhead Circus. “He was playing next door to us. I kicked his ass again.” Don’t worry, Winger fans–if there are any of you still out there, that is. According to singer/guitarist Scooter, aka Jimmy Pinhead, this…
Carman Righteous Invasion of Truth (Sparrow) The rub with so much of today’s contemporary Christian music isn’t its focus on God with a capital G. Good songs can be written about anything–Teen Spirit, girls named “Lump,” whatever. No, the problem, simply stated, is this: A majority of the folks operating…
The company releasing Positive, the latest album by Lord of Word and the Disciples of Bass, is Boulder’s Rabid Records; at least that’s what it says on the CD’s packaging, which you’ll soon be able to read for yourself. (A release bash honoring the new disc is now scheduled to…
The collaborations between trumpeter Miles Davis, among the most restless (and brilliant) major figures in the history of jazz, and Gil Evans, a composer/arranger who was equally attracted to innovation and traditionalism, have spawned plenty of arguments among reviewers over the years. There’s no question that the three albums that…
In 1994 Aaron Freeman and Mickey Melchiondo, better known to the world at large as Gene and Dean Ween, issued Chocolate and Cheese, an Elektra Records release that won critical praise, significant radio airplay (for the groovy cut “Voodoo Lady”) and frequent exposure on that repository of cultural significance, Beavis…
Many of the performers whom Flat Duo Jets singer/guitarist Dexter Romweber numbers among his heroes were either long in the tooth or dead by the time of his 1966 birth. So it’s fairly strange to hear him commenting on something he seldom watches: MTV. As Romweber tells it, he turned…
Ask Denver’s Day Butler to describe hip-hop and you won’t get a definition; you’ll get a mini-course in sociology. “A lot of people say hip-hop is a way of life. But as far as I’m concerned, hip-hop is life,” says Butler, the creator, producer, editor, publicist and host of the…
Nirvana From the Muddy Banks of the Wishkah (DGC) In this disc’s liner notes, bassist Krist Novoselic writes, “Let all the analysis fall away like yellow, aged newsprint. Crank this record up and realize the bliss, power…and passion…TOTAL NIRVANA!” Novoselic’s tone, which recalls the prose style favored by teens who…
Midway through a telephone interview, Mark Kozelek, the artisan behind Red House Painters, says, “If I haven’t been articulate, maybe you could edit me a little. I sound like a retard when I blab. So try to make me sound like I know what I’m talking about.” Actually, there’s no…
The September 28 Deicide show at the Mercury Cafe was, to put it mildly, a mess. However, seemingly no one can agree on who was at fault or what should be done about it. This much is fairly certain: Deicide, a nationally known band beloved by death-metal fanciers, was scheduled…
It’s a rainy Monday night in Denver, but a small crowd has braved the elements to hear a local legend. Denver Joe Vasquez, wearing a black broad-brimmed hat, black shirt, blue jeans and boots, steps to the microphone and delivers his trademark greeting to the faithful: “We want to remind…
Better Than Ezra Friction, Baby (Elektra) Dear friends, this CD represents everything that’s wrong with alternative music in 1996. Not that it’s obviously abysmal. Far from it: The songs here are tuneful and hooky, and the players (guitarist/vocalist Kevin Griffin, bassist Tom Drummond and drummer Travis Aaron McNabb) deliver them…
