Fuck what you’ve heard. We’ve got the the best day parties at SXSW today. Period. Hands down. We’ve seen New Music Tipsheet’s free list. Granted, we’re a little biased, but still, personal investments aside, have you seen the line-up? XX! Superchunk! The Pains of Being Pure At Heart! Surfer Blood!…
Yesterday Universal announced that it’s cutting the its base CD prices from the average $12-$16 to an astonishingly low $6-$10. It’s good news for those of you still buying CDs regularly, but what exactly does it mean for the rest of us and why are they even bothering at this…
Manchester Orchestra • The Features • Biffy Clyro • O’Brother 03.18.10 | The Gothic Theatre A teaming crowd had packed the floor of the The Gothic Theatre by the time Manchester Orchestra took the stage. No one seemed more surprised by this than the band’s frontman. “I did not expect…
Fucked Up | Fader Fort | 03.18.10 You’ve seen this before. At least a thousand times. And better. Probably much better. With far more blood. Still every time you witness a reckless, unpredictable frontman like Damian Abraham, it’s exhilarating. Doesn’t matter who you are. Every. Single. Fucking. Time. Guaranteed. Even…
Married In Berdichev • Hunter Dragon • Tim Pourbaix Bocumast Records Day Party | Union Park “I can drink all day here, and it’s socially acceptable,” utters Tim Pourbaix, as he takes a sip of his brew in between songs during his brief set at the Bocumast Records day party…
The dust is settling on the drunkest holiday of the year. And today you have a choice: you can relive with exactly 100 of the night’s best photos spread over three slideshows, or you can work. Aaron Thackeray was there for Kegs and Eggs at Lodo’s and still found time…
Pentagram • Space in Time • Kingdom of Magic 03.17.10 | Marquis Theatre A night of exceptionally interesting hard rock that ended with ’70s metal legends Pentagram began with the new-look Space in Time. They were surprisingly confident and assured. The band’s new singer, Mike, sounded like a young Ozzy…
If you can read these words on your computer screen today, you have shamed St. Patrick. Also, you were probably not anywhere near Colfax last night. Fortunately for you, that is exactly where a pad of paper and I were, so we bring you an after-the-fact-live blog. Or a tape-delayed…
Nathaniel Rateliff | Ale House | 9 p.m. Clinging to the Trees | Mohawk | 8:20 p.m. Nathaniel Rateliff was clearly being glib last night when he asked “Is that why you’re being so quiet, because you know me?” upon getting a roar of approval when he announced that he…
Itchy-O (due at Old Curtis Street on Friday, March 19) isn’t a band so much as a multimedia art project designed to be an all but complete sensory experience for those who witness its performances. Truth be told, though, the troupe is probably working on its being a wholly immersive…
The complex, intricate techno favored by Dustin Zahn is miles away from the mainstream conception of techno as brainless, soulless, repetitive thump-thump-thump. While he does deliver the thump-thump-thump, his work incorporates delicate, fleeting strands of melody that dance around deep, layered percussion and synth work. And while repetition is a…
When the Continental Club opened at 475 Santa Fe Drive in early 2008, it showed a lot of promise, and quickly became our Best New Bar in that year’s Best of Denver issue. The Continental closed within the year, though, and was replaced by One Eyed Jacks last January. And…
Dwight Thompson was ready to quit. After years of playing bass for hire, he’d simply had enough. “I was actually at a point this year when I was like, ‘I’m giving this two more years and then I’m done,'” he recalls. “I’d rather have a day job than play music…
Robert Glasper’s latest Blue Note effort, Double Booked, shows just how well the pianist straddles the jazz and hip-hop worlds. On the first half of the disc, Glasper flexes his jazz chops within the confines of an acoustic trio setting, cutting through four brilliant originals before diving into the angular…
Ozzy Osbourne has suggested that Ray Davies invented heavy metal with his signature guitar-riff opening on “You Really Got Me.” While that may be true, Davies’s career with and without the Kinks has shown mainly that the guy has a true knack for inventive pop songwriting and for writing incisive…
Here’s the thing about Jay-Z: When he says “I. Will. Not. Lose. Ever… Fucker” in “U Don’t Know,” he’s not kidding. Of his studio albums, three are instant-classic, holy-shit ridiculous, and all eleven hit number one on the charts. That’s one more than Elvis. Quite the American Dream for a…
Remember Dusty Dinkleman in Just Friends, the hapless sap vying with Ryan Reynolds for the affections of the ever-illusive Miss Jamie Palamino? On the surface, the dude was unbearably sweet — we’re talking elderly-serenading, kitten-cuddling, hold-your-hair-while-you’re-puking sweet. Beneath the facade, however, lurked a completely depraved, knuckle-dragging, mouth-breathing ultra-perv, who, when…
The Autumn Film has gone from beautiful to stunning. Tifah Al-Attas’s voice flows like warm honey, but it did that before this album. What it has this time around is a more suitable canvas of instruments. Before, Tifah was the sad spotlight, and now she is sunken into an ebb…
Bridging the gap between dream pop, dark Americana and orchestral indie rock, the songs on this EP manage to be eclectic without seeming artistically overburdened. “Charred Metropolis” has an air of spiritual turmoil just shy of being melodramatic, while the down-tempo “Frontiers” shimmers with the music’s impressionistic dynamics. “Summer Rainstorms”…
In its ten years of existence, the Colorado Conservatory for the Jazz Arts has seen some 600 teenagers participate in its programs, camps and workshops. Fourteen Channels, the organization’s latest release, features two different groups — the Dominant 7 and the Jazz Arts Messengers — that comprise members of the…
For fifteen years, King Rat has held down its own small, smelly corner of Denver’s punk scene. That kind of longevity alone is commendable — especially considering the volatile, at times self-destructive nature of King Rat’s music, a crackling blitzkrieg of hard rock, ’80s hardcore and Mike Ness-style confessionals. On…
The brainchild of multi-instrumentalist JT Nolan, the Lovely and Talented seems eerily similar to fellow Denver outfit DeVotchKa. After all, both gather sounds from a similar pool of eras and genres, and Nolan has even appeared on stage with DeVotchKa — not to mention the fact that that group’s drummer,…
