Last Night’s Show: Lazy Lester at Boulder Outlook Hotel

Lazy LesterThursday, July 9, 2009Boulder Outlook Hotel, BoulderBetter Than: The canned blues playing over the PA between sets — by a long sight.Admittedly, when I first heard about this show coming up, I had to look up who Lazy Lester (Leslie Johnson) was, but after listening to a great deal…

Free Slurpees, cheap tickets and maybe more

Each July 11, everyone’s favorite convenience chain 7/11 celebrates its anniversary with free Slurpee. This year, for its 82nd anniversary, they decided to do something a little extra — give away free and discounted music. Because apparently, the 82nd anniversary is the live music anniversary. Good to know for my…

Pictureplane gets Best New Music’d

Pitchfork’s Mark Richardson can’t get enough of Travis Egedy’s Pictureplane, slapping the most coveted three words in modern music criticism on “Goth Star,” the first offering from his upcoming full length, Dark Rift. The album’s out on August 4th on Lovepump United. Richardson starts by marveling at 2007’s “Flashion (You…

Mommy’s Little Monster is dead

According to a characteristically pithy and vituperative post on Mommy’s Little Monster’s blog, the weekly DJ extravaganza dance party that took honors as Westword’s Best Club Night this year is hanging up its slip mats and moonwalking off into the sunset. Helmed by DJ Max Klaw, and featuring El Brian,…

Phamily Reunion Festival aims to cater to Phish fans

When tickets to the four nights of Phish at Red Rocks went on sale a few months ago, they sold out about as quick as it takes me to lose a game of washers (the new backyard game sweeping my neighborhood)…yeah, pretty fast. Of course, the concert announcement and subsequent…

Analog Space returns to the Meadowlark

Now there are two compelling reasons to make your way to the Meadowlark on a Tuesday night. Denver’s most bipolar bar — with the dingy basement speakeasy and the gorgeous backyard garden party vibes — has been offering up a diverse and not entirely offensive open mike extravaganza for the…

Pepsi Center dumps Ticketmaster

If you aren’t an avid reader of the ticketing industry website Ticket News, you may have missed the news that the Pepsi Center is dumping Ticketmaster. The venue will be switching to TicketHorse, a ticketing company owned by Kroenke Sports Enterprises, owner of the Pepsi Center and several other local…

The Rex Lounge becomes part of Platte Valley royalty

Today there are building projects all over the place, but back in the ’80s, the area behind Coors Field felt like some kind of bizarre wasteland. There was no Coors Field, of course, and you had to really work to find the original Tracks or the old Skyline Cafe (which…

Dethbox at Blast-O-Mat

Waves of hardcore have come and gone since the salad days of the early ’80s. With few genuine musical outlets for angst and rampaging energy open to young people in the past several years, it was inevitable that a band like Dethbox would come along and put its own stamp…

Audiofly at Beta

The music of Audiofly is a delicious mix of funky techno and the deep, dirty side of house: sexy, driving and warm, but always with a distinctly electronic edge. Since meeting in 2002, the duo of Luca Saporito and Anthony Middleton have had tremendous success under the collective name (and…

The Flash Mob is having no problem finding its groove

The Flash Mob is a band that had no problem finding its groove. Formed from the remnants of Boondok Saints and Ultrachronic, the outfit got off to an auspicious start providing main support for the Flobots and hasn’t looked back. A song the players wrote the first time they practiced…

Ghost to Falco

Eric Crespo is at the epicenter of the sonic force known as Ghost to Falco. There’s an eerie timelessness to Crespo’s voice, whether he’s singing more conventional-sounding Americana or the heavy, deeply rhythmic haunted pieces for which his projects are more well known. Comparisons to Nick Cave and 16 Horsepower…

Bon Iver

Justin Vernon, Bon Iver’s central figure (joined on these bills by The Wheel), is a Wisconsin-based singer-songwriter who first gained widespread attention for last year’s For Emma, Forever Ago, a cathartic recording laid down during a three-month stay in a remote cabin following the collapse of a romantic relationship and…

Dark Lingo

Although there have been bass-and-drum duos before, Pittsburgh’s Dark Lingo takes that basic formula and twists it into compellingly nightmarish shapes. Making human voices inhuman by passing them through various guitar effects pedals and then making them swim through the thick churn of hypnotic, distorted bass patterns and insistent drumming,…

David Dondero

David Dondero invented Conor Oberst. Well, that may be a slight overstatement, but it’s no big secret that the poignant songwriting and uniquely emotive vocal style of the former were heavily influential on the latter. His work, however, stands up as far more than the jumping-off point for Bright Eyes…

The Rural Alberta Advantage

Many people think of folk music as precious and pretentious in equal measure — the equivalent of arming whiny occupants of reality-show confessional booths with an acoustic guitar. But Canada’s Rural Alberta Advantage, performing with Great Room Victorian and Sandusky, proves that the genre doesn’t have to be a drag…

Drop Dead, Gorgeous

Plenty of haters ripped into 2007’s Worse Than a Fairy Tale, accusing Drop Dead, Gorgeous of softening its assault to up the accessibility quotient – and the act’s latest will likely be slapped with the same criticism, even though The Hot N’ Heavy is frequently both. Sure, there are missteps,…

Tangible Stereo

The urge to release must be mighty, but Tangible Stereo isn’t doing itself any favors. True, you can’t sell product if you don’t have product, but when your product is as shoddy as this one — a beat-up CDR with the group’s name scrawled in Sharpie, in an ugly-ass, brown-paper-bag…

Postmodern Troll

With analog synths blending in with the most cutting-edge sounds these days, this album sounds like it could have come out at any time post-Who’s Afraid of the Art of Noise? Except that Kyle Person, the act’s only member, couldn’t have composed and put together the music alone as well…

Broken Tongues

When the fusion of hip-hop and rock was first conceived, it was meant to amplify the respective appeal of each style of music. Yet the hybrid has consistently resulted in prosaic lyrics and inferior beats. Broken Tongues’ debut does nothing to buck that trend. Worse, the duo delves into a…