Akron/Family & Angels of Light

After Michael Gira’s discovery of Devendra Banhart, it seems that the Angels of Light frontman (and Young God Records head) knows a good investment when he sees it. Gira’s first major find since Banhart is Akron/Family, an avant-folk troupe that traffics in warped twang and blurry harmony. Angels of Light…

Big & Rich

At the outset of City, Big Kenny Alphin and John Rich declare, “Somebody’s got to be unafraid to lead the freak parade” — and they’re clearly the men for the job. As on last year’s Horse of a Different Color, they delight in tweaking country conventions, and, thanks to a…

Michael Lloyd Band

Since singer/pianist Ben Folds isn’t dead, his ghost can’t possibly hover over Highwaters EP, the latest from Boulder’s Michael Lloyd Band. His influence is pervasive, though, and that turns out to be a mixed blessing. “Sleepwalking,” the opening track, serves as a template for the disc as a whole. Guitarist…

Oblio Duo

My handmade copy of Oblio Duo’s eponymous CD came with a strand of human hair accidentally glued into it. There are two things I can do with that hair: make a voodoo doll, or clone singer/instrumentalist Steven Lee Lawson. The cloning probably wouldn’t work, though. Although Lawson and bandmate Will…

Listen Up

The Clientele, Strange Geometry (Merge Records). Alasdair MacLean makes beautifully baroque folk music misted in string arrangements by Louis Philippe. Strange Geometry is not for those afraid of the faint and fey; its tempos wouldn’t disturb a light nap. MacLean’s Nick Drake drag of a voice adds an extra layer…

Nickel Creek

Chris Thile and siblings Sean and Sara Watkins, collectively known as Nickel Creek, have been widely embraced by the bluegrass and acoustic-music communities, even though their music makes a habit of stretching or ignoring genre boundaries. How have they gotten away with such apostasy? “Talent” is probably too facile an…

Naked Aggression

In 1998, director Penelope Spheeris made The Decline of Western Civilization Part III. But unlike the first installment, which centered on legendary punk acts like Black Flag and the Germs, Part III was a much more stark look at contemporary hardcore. Fittingly, one of the featured groups was Naked Aggression…

Young Dubliners

Forced out by oppression — presumably Thin Lizzy’s terrorist twin guitar attack, the monumental weight of the Corrs’ shite pop polluting the moors and the shame Black 47 bestowed upon the Irish with its dodgy hip-hop from men far too old to be “chillin'” — a pair of Celtic immigrants…

Tre Hardson & Fuqawi

Hip-hop history brims with gifted solo artists, but there are far fewer great bands — groups whose shows were every bit as memorable as their best recordings. The Pharcyde earned a spot in this second category as a result of a relentlessly funky sound and members with oversized personalities, including…

Bob Weir and Ratdog

Since its early days as a duet comprising Bob Weir and self-styled acoustic bassist Rob Wasserman, Ratdog has experienced its share of musical evolution and personnel shuffling. Counting late Chuck Berry pianist Johnnie Johnson and members of San Francisco’s jazz-based Charlie Hunter Trio among its alumni, the group morphed from…

William Elliott Whitmore

The art of singing your fucking guts out is almost a lost one — not that you’d know by listening to William Elliott Whitmore. Lunging between a croon and a croak, his voice sounds too big for one body, a ragged, elemental howl that carries all the grit and erosion…

4 of US

There’s funky, and then there’s super-bad-ass funky. 4 of US embody the latter description — as it should. The act, previously known as Frequenox, is made up of members of Robert Walter’s 20th Congress, the Greyboy Allstars and Galactic, each all-stars in their own right. Keyboardist Walter’s mastery of the…

MF Doom

Rappers go through pseudonyms like Paris Hilton goes through boyfriends. It’s a game of sorts, or maybe a fear of commitment — a semantic defense to never get too attached to one thing because all things eventually go sour. Take Daniel Dumile, born in England but raised in Long Island,…

Electric Side Dish

Whether offering a Van Morrison chestnut, channeling the heavier sounds of Widespread Panic or garnishing its classic rock-inspired sound with roots-flavored original fare, Electric Side Dish (due at Sancho’s Broken Arrow on Sunday, December 4) cooks up a savory blend of grooves that leaves you wanting more. Axmen John Tipton…

Jimmy Van M

In addition to being one of progressive house’s most recognized jocks, Orlando’s Jimmy Van M is also one of the key point men behind the scenes. Back in 1992, when he began his career, the DJ took a very practical approach to the dance scene. After completing several nationwide tours…

Alter Call

For more than a decade, Jeff Campbell, aka Apostle, has been a cornerstone of hip-hop in Denver. This spring, however, if all goes according to plan, he’ll be leaving the Mile High City to join his Heavyweight Dub Champion bandmates in Northern California. While this news is likely to send…

Gentle Giant

aris Delane is at home, preparing to audition for the role of a samurai-trained ex-Special Forces bodyguard named Virgil in an upcoming film. A monolith of a man, Delane is seemingly perfect for such a role. It doesn’t take long to discover, though, that despite his imposing figure, he’s really…

GWARlords

After two blood-drenched decades, GWAR continues to sell out venues, slamming out thrash metal and gleefully beheading celebrity effigies. But for Oderus Urungus and his mutant band of foul-mouthed space pirates (guitarists Flattus Maximus and Balsac the Jaws of Death, bassist Beefcake the Mighty and drummer Jizmak Da Gusha), uncorking…

No Fantasy

Just because Fantasia Barrino won American Idol last year doesn’t mean that everything in her world is ideal. “When people see you on TV, they think you’re a millionaire,” she says, “but I work hard to have what I have, and I’m not, like, rich. Maybe it’ll be like that…

Critical Fatwa

All hail Chuck D! Oh, how the uptight and old white pundits parsed his every word. From the days of “jungle rhythms” to the French riots today, the frightened, white and withered have shat themselves over black music. But some musicians deserve protection from the beshitted more than others do…

The Rolling Stones

Pity poor Mick Jagger — or at least feel his future pain. Ian Anderson is certainly capable of doing so. During a recent interview on KOA, the Jethro Tull frontman mused about how emotionally difficult it will be for the Mickster when he finally retires from the stage and is…

Benny Benassi

The pitch-bender is Benny Benassi’s friend. The thirty-something Italian spinster has perfected — in collaboration with his cousin Alle, of Larry Pignagnoli’s internationally successful Off Limits production company — an irresistible electro-house-music fusion that would not be the same without pitch-bending technology. “Satisfaction,” the stratosphere-worthy single from Benassi’s major breakout…