Concerts

Boozoo Bajou

Compilations like Juke Joint II are the DiGiorno of mixes, culled with such impeccable taste of inspiring breadth that it sounds like your music-obsessive friend could be mixing it live in your living room. Normally, buying such mixes seems like a lazy shortcut; if the groups are good, you buy...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Westword Free

We’re $3,500 away from our spring campaign goal!
We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$20,000

Compilations like Juke Joint II are the DiGiorno of mixes, culled with such impeccable taste of inspiring breadth that it sounds like your music-obsessive friend could be mixing it live in your living room. Normally, buying such mixes seems like a lazy shortcut; if the groups are good, you buy the albums. But the duo of Boozoo Bajou — German producers Peter Heider and Florian Seyberth — flawlessly thread in theme and theory, pulling out the subtle interlocking grooves in artists as far-ranging as Tony Joe White and the Meters, then adding a sweet-comedown finish by Josh Rouse. Although these silken segues have become the baseline for such collections, Bajou also excels at divergent disconnections like Hanna Hukkelberg’s “Cast Anchor,” a sullen singer-songwriter track that’s all floating horns, lemonade and feet dangled in the lake. And when you get to the pair’s original contributions, you begin to see a free-floating pattern in the eclectic scatter, a unifying focus on deep beats, dreamy spaces and tripped-out tangents that gorgeously cycle through every conceivable mood.

Loading latest posts...