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Sonic Bloom: DOGTAGS Is the Band That Denver Needs

DOGTAGs is planting positivity with its debut album, ROSEWORLD, and a final Undergound Music Showcase performance.
Image: members of Denver band DOGTAGS lie on grass
DOGTAGS will be at the final UMS. Jackson Davis

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"This year has been the biggest of my life for music," says Michael Merola.

The guitarist is sitting in the shade of the Cheesman Park gazebo alongside his partner, vocalist Regi Worles. The two have written several songs here for their band, DOGTAGS, which is having a breakout year. It recently released an excellent debut album, ROSEWORLD, before opening a sold-out show at Mission Ballroom for Lake Street Dive in June. Later that month, the Denver band performed its first show outside Colorado at Electric Forest, and it just announced a headlining show at the Bluebird Theater to close out the year on December 5.

So don't be surprised when you see a packed crowd for the DOGTAGS sets at the final Underground Music Showcase, scheduled for the Get Loud Stage at 5:35 p.m. on Friday, July 25, and then at 2 p.m. on Sunday, July 27.

Even with all these accomplishments, DOGTAGS' biggest contribution could be providing the inspiration we desperately need right now (and always, really), highlighting queerness and humanity through bossa nova rhythms and soul-imbued anthems. Looking at the world through rose-colored glasses can be viewed as a negative trait — a type of "toxic positivity" that belies the world's ever-growing issues — but when bad news rotates incessantly through daily headlines, it's important to remember that there's so much good in our immediate reality. ROSEWORLD creates the same effect as the band's live performances: It provides a much-needed mental vacation to a chimeric realm where love is paramount, acceptance is universal and vulnerability is rewarded.

"We wanted to really create this otherworldly, rose-colored-glasses lens," Worles says of the album. "Because sometimes our imaginations get hijacked by all the terrible things that are happening. Even if we sing about heavy stuff or the progressions are darker, I want us to leave people feeling lighter."
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The album art for ROSEWORLD.
Jackson Davis

While DOGTAGS had already been playing live for a couple of years in Denver, establishing a growing presence, the band finally decided to really work on an album in September 2023. “Back then, we had maybe four or five original songs,” Merola recalls. Almost two years later, the album dropped with twelve pristine tracks, including a cover of “HOJITA SECA,” a cumbia song by Argentine band La Nueva Luna that Merola uncovered.

There were two big reasons it took so long to release an album, the partners say. First, Merola is a perfectionist, Worles explains, and Merola nods with a smile. The second is a little weightier: It's an incredibly vulnerable work lyrically.

"It was scary for me to be in such a very open queer relationship, especially playing on stages and putting out music," Merola says. "And when we first started DOGTAGS, I wasn't actually out of the closet. And yet, here I was in Denver, just playing on stage with my boyfriend. ... The only person who knew was my sister, but not my oldest sister, not my parents, not any of my extended family. And I come from a very Catholic and conservative family, so queerness was actually very looked down upon while growing up. I dealt with a lot shame with that, which of course resides in our music, as well."
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DOGTAGS performed at Electric Forest in June.
Jackson Davis
He came out to his parents in the fall of 2022. Although his mom and dad had seen DOGTAGS live, they didn't know that most of the songs were about Worles and Merola's relationship. "Sometimes it felt like the further we pushed the music, the further I was risking my relationship with my family," Merola says. "Now it's in a different place — I've been out to my parents for a couple of years, and things are rocky, but they love me, and they love [the music]."

"It was truly very challenging," Worles adds. "Everybody, when they play music, there's a sort of emotional labor. But there was a known risk of what was at stake."

It isn't just family dynamics that create uneasiness about being openly queer; the political climate in 2025 doesn't help. "Sometimes you get scared just going on stage to perform with people, not to mention to be playing at the Mission Ballroom, where it's the biggest crowd we've played for," Merola says.
click to enlarge band on stage performing to a sold-out crowd in an indoor venue
The band will be at the Bluebird Theater on December 5.
Sila Sungur
Their mettle reverberates through the music, though. That's perhaps why, after live performances, they'll be met by teary-eyed new fans who see themselves in the lyrics and feel a weight lifted by the enlivened sonics. To be yourself is an act of courage, especially through art, and DOGTAGS is inspiring others to follow suit. “In finding Michael and finding our friends,” Worles explains, “it was like, ‘Oh, I have community again.’ And for the first time, it's a musical community where we aren't in class, we're writing our own music, and we're helping each other navigate breakups, graduations, funerals, mental health crises. There's a lot of life that people go through, and when you have a large band, it's all happening all at the same time.”

DOGTAGS received some solid advice when the act opened for Teddy Swims at Mission last year. Guitarist Addy Maxwell approached and said, "We play with a lot of people. Y'all need to keep going."

"Those moments are so random and special, so affirming," Worles recalls. "Even when we have no idea what we're doing."

If these two don't know what they're doing, they hide it well. After rehearsing weekly for years, the band has solidified a unique sound that’s at once technical yet breezy. It almost feels effortless, which is how you know it’s born of pure dedication.
click to enlarge man on stage singing to a large crowd
DOGTAGS at Mission Ballroom.
Sila Sungur
"Reggi and I started as a singer-songwriter, guitar-and-vocals project," Merola says, adding that they began performing at Coastless Collective shows at Your Mom’s House.

"But it grew to seven people within like, four months," Worles adds. "Since then, it's just been a big band."

DOGTAGS acts as a collective, anchored by Merola and Worles. They still perform as a duo, too, which makes them more flexible for gigging. Worles compares the act to LEGOs, with the band able to add or take away to adapt to any stage. "It's sort of like a build-your-own-band set," he explains. "Very ever-changing."

"It wasn't meant to be a rotating band, but the way it grew was interesting because people would hear us at shows and we would connect with them and start talking and become friends," Merola says, noting that would inevitably lead to a new bandmate. "To me, there's no such thing as too many members."

Four years in, DOGTAGS has nine members: Worles (lead vocals), Merola (lead guitar), Heather Hunt (guitar/backing vocals), Gavin Susalski (trumpet), Aaron Dooley (bass), Micah Cheng (cello), Kelsey Hodge (backing vocals), Ben Kane (keys), and Tyler Hamlin (drums). And even more musicians contributed to ROSEWORLD.
click to enlarge members of Denver band DOGTAGS
The band has nine members, and more contributed to ROSEWORLD.
Jackson Davis
"We always knew we wanted this sort of conversational thing happening between us as both singers, but also between genres," says Worles. "We knew there was a soul element we wanted to bring out..."

"And that comes out a lot in our vocals and my guitar playing," Merola adds. He grew up playing classic rock and blues (his dad first taught him how to play the King of the Hill soundtrack) before delving into jazz and Latin jazz in college. "And then all the band members really brought their own genres into it," he adds.

The result is a kaleidoscopic array with different facets reflecting myriad inspirations — funk, bossa nova, soul, Latin folk, rock, art pop and more — but all conspiring to create a cohesive, delightful pattern. That came from years of experimenting and refining the group's sound, while honing its goals and mission in the meantime. "Jamming for years and years and years allowed us to find our place," says Worles. "But really, it's the communication between everybody that created what we call 'art soul.'"

"For a while we were saying 'liberated soul,' which is cool, but now we're leaning more on art soul — I always loved the art-rock genres," Merola explains. "The music that really goes places and takes you on this elaborate story. I've always been inspired by that, and I put that really deeply into the music."

So it makes sense that one of the songs on ROSEWORLD was inspired by the epic, 26-season anime Naruto. "Sasori" has been a fan favorite, according to Merola and Worles, and as you listen, you'll immediately understand why the earworm is so popular — it's one of those rare songs that you don't mind being stuck in your head. Same goes for "MELTY," a funky, psychedelic track enveloped by all the feels that accompany unconditional love. Meanwhile, "SUMMERSICK!" is a dance party packaged in a colorful sonic weave that gets you smiling for the present and future.
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Sila Sungur
Overall, the album is a coming-of-age story that reminds you of life’s ebullience without being cloying or corny. It underscores how so much joy is hard-won through self-discovery and introspection, as well as connection with friends, family and community. Another standout track is "Sumn Bout Roses," the first song Worles and Merola wrote together. It was the summer of 2021, and they weren't yet a couple.  At a jam in Denver with friends, the two stepped out for a breather, and Worles began singing what would become their song.

"Sumn Bout Roses" is as intoxicating as love itself, illustrating the accompanying butterflies and longings through tantalizing bossa nova rhythms that build to a crescendo that leaves you with goosebumps. While licking the wounds of past relationships, the lyrics convey the excitement and yearnings of love's early stages, with Worles's voice so replete with emotion, it's impossible not to fall in love with the song itself. “It was kind of me being like, 'Hey, I kind of have feelings for you,'" Worles recalls.

"I could tell what you were saying," Merola says with a sly smile. "I was like, 'Okay, you crushin'.'"

The moniker DOGTAGS also carries meaning, though the two picked it on a whim. Worles had just adopted a puppy, and when the partners listened to a jam session that Merola had recorded on his phone, all they could hear was jingling dog tags. “It just stuck. Now, it's become a metaphor,” Worles says. “You know, like the regular dog tags are worn to tell people who you belong to, and that's sort of what the band is about: Who you belong to, who your people are, who you love, and how to find each other even when you're lost.”
click to enlarge members of Denver band DOGTAGS
ROSEWORLD released in June.
Jackson Davis
Since forming and expanding, the band has become a vessel for the community, always acting in a DIY spirit since its inception. “From 2021 to 2023, we were really taking any gig we could,” Merola recalls. They had performed at Enigma Bazaar, the now-defunct Denver venue known for its colorful aesthetic and DIY shows, and landed a residency there from June through August 2023. “We were trying to do this thing we called Puppy Chow,” Worles says. “We’d have an opener who we really admire, then we’d have us, and then we’d do a jam afterward together.”

“It started to become a centerpiece to the community,” Merola adds. “Having monthly shows there was really interesting.”

The band also became part of the Youth on Record 2023 fellowship program, where the members learned more about the industry and applied to perform at the Underground Music Showcase, which the nonprofit had just bought into. After UMS, DOGTAGS signed with local agency Future Garden, which also manages artists Neoma and N3ptune, and headlined Dazzle when the jazz club was located in the Baur's building. “We were hanging out with [Future Garden] a bunch while we were separately trying to figure out, 'What is the goal? Like, what do we want to do?'” Worles says. “So we landed on wanting to write an album.”

Taking so much time to compose the LP was worth it. ROSEWORLD is an album you listen to all the way through, with no stops. Each song blends into the next while also standing out on its own, constructing a brilliantly cohesive experience for listeners. The attention to detail is high — every instrument has its perfect place in the rhythms, showcasing the band's penchant for collaboration. It's a collective effort, and DOGTAGS has fostered a family-like atmosphere with its members.

They're all looking forward to UMS. "We are really approaching it like, How do we take this album we've created and bring it to life?" Worles says. "We've got these big flowers, all these different props to decorate. ... I'm hopeful we'll get to bring that to as many people as possible throughout the summer and fall. And we're already scheming another album."

A storm cloud is almost overhead, and a smattering of rain is hitting Cheesman Park. But Merola and Worles are all sunshine as we part ways.

"I do truly feel blessed and grateful to have gotten this far," Merola says. "There were times in my life when I really wasn't sure if I was going to live this long. So to be here now, and to be doing what we're doing in Colorado, and being able to escape Colorado and play our music somewhere else, too, is really, really awesome."

DOGTAGS plays UMS 5:35 p.m. Friday, July 25, and 2 p.m. Sunday, July 27, at the Get Loud Stage; tickets are available at undergroundmusicshowcase.com. Learn more about the band at dogtagsmusic.com.