Concerts

Fell

Fell mastermind Josh Wambeke spends much of this new album in deadly earnest, Beck-circa-Sea Change depressive space-folk mode, which would probably be welcome if he didn't seem so content to coast on opiated guitar strums and bland reverb-heavy vocals. Atmosphere at the expense of melody is the eternal Achilles' heel...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Fell mastermind Josh Wambeke spends much of this new album in deadly earnest, Beck-circa-Sea Change depressive space-folk mode, which would probably be welcome if he didn’t seem so content to coast on opiated guitar strums and bland reverb-heavy vocals. Atmosphere at the expense of melody is the eternal Achilles’ heel of shoe/space/dream/psych/what-have-you, and Wambeke transcends it exactly thrice: On “Psychedelic Tornado,” with its out-of-nowhere 808 beat and delicious early-MBV guitar squalls; on “Eros,” a lover’s plea accompanied by quaint organ; and on the title track, which sounds like prairified Air. These three songs, united by their superior songcraft and broader sonic palette, point to a brighter future for Fell, one in which the band stands out more clearly from the reverb-and-fuzz-obsessed masses.

When news happens, Westword is there —
Your support strengthens our coverage.

We’re aiming to raise $50,000 by December 31, so we can continue covering what matters most to this community. If Westword matters to you, please take action and contribute today, so when news happens, our reporters can be there.

$50,000

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...