Commentary

In defense of Sublime

I thought I would have to wait until the 20th anniversary of Sublime's 1996 self-titled mainstream breakout album to write about how fundamentally misunderstood and judged Sublime is. I have so many feelings, too many probably, about a band whose legacy is beaten up almost as much as Insane Clown Posse's (who are possibly the most DIY music-making motherfuckers on the planet, by the way) by people who tend to lean toward the appearance-based criticism that often bashes music embraced by the working class.

But then The A.V. Club published Jonah Ray's scathing take down of "What I Got" as part of its HateSong series, and I was handed my Sublime platform.

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Bree Davies is a multimedia journalist, artist advocate and community organizer born and raised in Denver. Rooted in the world of Do-It-Yourself arts and music, Davies co-founded Titwrench experimental music festival, is host of the local music and comedy show Sounds on 29th on CPT12 Colorado Public Television and is creator and host of the civic and social issue-focused podcast, Hello? Denver? Are You Still There? Her work is centered on a passionate advocacy for all ages, accessible, inclusive, non-commercial and autonomous DIY art spaces and music venues in Denver.
Contact: Bree Davies