Back to reality, though.

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Jim Louvau

It was a special night all around. Young Slayer fans, including my own nine-year-old son, Liam, roamed the upper half of the stadium, dragging parents around the general admission section looking for that special vantage point to check out the action. By 6:45 p.m., the crowd was getting restless as AC/DC pumped through the P.A. and the swelling crowd  yelled vociferously for Slayer to get it going. When the lights finally dimmed around 7:10 p.m., the riffage began. Three white crosses appeared on the screen at the front of the stage and slowly began to rotate until they were all upside down. 

Then they turned blood red and all hell broke loose.

Early on, we sat near the top of the venerable Phoenix arena in section 328 and the sound was not exactly wonderful. At one point about fifteen minutes in, Liam leaned over to me and said, "How long is this song?"

They'd played three or four songs by then, so it was time to move. As we made our way to the western edge of the coliseum, the sound improved  greatly and the band was winding into form. Mixing new stuff with older material, Araya (who kind of looks like someone's hippie-ish grandpa), guitarist Kerry King, former Exodus guitarist Gary Holt and drummer Paul Bostaph tore through one song after another on a rather spooky stage complete with some flavor that would have made any fan of Halloween (the holiday, not the movie) proud. Eight light installations stood on each side of Bostaph's drum kit looking like alien sentinels, punishing the crowd with barrage after barrage of psychedelic lighting.

In typical Slayer form, Holt and King traded guitar leads early and often. No matter how many times you see Slayer play, it always looks like King is just making his leads up as he goes along, but regardless of his unique style, the man absolutely shreds. To be fair, Holt does, too. In his five years with the band after the death of Jeff Hanneman (who was remembered on the screen behind the band at the end of the show), Holt has really begun to own his role in the band, although it will always be nice to see him on stage with Exodus, as well. 

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Jim Louvau

Bostaph is not longtime Slayer stick man Dave Lombardo by any stretch of the imagination, but that's not necessarily a bad thing. Bostaph definitely held his own on Wednesday night, even if there was no one particular point at which he took over the show, the way Lombardo tends to do when behind the kit. My son was pleased with Bostaph's performance, though, air drumming at multiple points in the evening and even commenting about how "awesome" the drums were.

Slayer ended the night with some of the band's very best songs, including an excellent rendition of a personal fave, "Hell Awaits" (from 1985's Hell Awaits), which was sandwiched between heavy hitters "Seasons in the Abyss" and "South of Heaven." Liam knew the next song immediately from playing Guitar Hero and was giddy about Slayer including "Raining Blood," so much so that he completely took it in stride when a guy behind us began throwing folding chairs all around our section. As the band was winding into the grand finale, "Angel of Death," Liam asked me, "When does Slayer play again? I want to go."

I couldn't be prouder. 

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Jim Louvau

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Critic's Notebook

Last Night: Slayer at Arizona Veterans Memorial Coliseum at the Arizona State Fair.

The Crowd: Folks of all ages wearing black T-shirts, though a huge amount of kids in the six-to-ten age range. Lots of smiles. While there were a handful of bad eggs who got themselves kicked out, the vast majority of people seemed to be really enjoying themselves.

Overheard: "I smell bacon" — when a member of Phoenix's finest walked by.