Oasis

Here's a dirty little critical secret: Many times when reviewers describe an album as being a veteran band's best since fill-in-the-blank, they remember zilch about the discs that appeared in between. That's certainly the case for me when it comes to Oasis, which has been stylistically consistent to the point...

By Michael Roberts

October 16, 2008

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "12017618",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17242653",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17261320",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17261321",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Here's a dirty little critical secret: Many times when reviewers describe an album as being a veteran band's best since fill-in-the-blank, they remember zilch about the discs that appeared in between. That's certainly the case for me when it comes to Oasis, which has been stylistically consistent to the point of self-plagiarism (and the other kind, too). I loved 1994's Definitely Maybe and liked 1995's (What's the Story) Morning Glory? pretty well. But do I recall anything substantial about, say, 2002's Heathen Chemistry? Hell, no — and a year from now, I won't be able to tell you squat about Dig, either. New tracks like "The Turning" sound fine while they're spinning, yet they can't surpass the earlier, more vital stuff they bring to mind. I'm already prepared to forget them.

KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.

Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

Follow:

Facebook: 111180895657427

Twitter: @mikerobertscolo