Concerts

Zoroaster

The post-stoner sounds made by Atlanta's Zoroaster can be described in extremely simple terms — "loud" and "heavy" among them. But the band's seemingly basic approach still leaves room for aural weirdness by the truckload. "Tualatin," from the combo's 2007 disc Dog Magic, provides the template. The track begins with...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Westword Free

We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$20,000

The post-stoner sounds made by Atlanta’s Zoroaster can be described in extremely simple terms — “loud” and “heavy” among them. But the band’s seemingly basic approach still leaves room for aural weirdness by the truckload. “Tualatin,” from the combo’s 2007 disc Dog Magic, provides the template. The track begins with a quasi-thunderclap and comically overwrought recitations of lines such as “Fight for your life,” delivered Middle Ages style. Then, bassist/vocalist Brett Anderson and drummer Dan Scanlan create a monstrously sludgy rhythmic foundation over which guitarist/vocalist Will Fiore growls, wails and generally goes insane over the course of thirteen outlandish minutes. Subtle, it’s not: Despite the group’s relatively small numbers, Fiore, Anderson and Scanlan fill every second of every tune with roaring racket, whether it be from their main axes or Moogs, theremins and even brass. Clearly, Zoroaster, joined at this date by Sourvein, is devoted to bringing the noise, and plenty of it.

Loading latest posts...