Film, TV & StreamingWith Buster Scruggs, the Coen Brothers Fully Commit to Cheery Meaninglessness By April Wolfe
Film, TV & StreamingA Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct By April Wolfe
Film, TV & StreamingBradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You By April Wolfe
Film, TV & StreamingIn Life Itself, Women Have to Die So Men Can Learn We’re All Connected By April Wolfe
Film, TV & StreamingIn The Wife, Glenn Close Has Had It Up to Here Standing in the Shadow of Jonathan Pryce By April Wolfe
Film, TV & StreamingThe French Go Gonzo Italiano in the Surrealistic Let the Corpses Tan By April Wolfe
Film, TV & StreamingThe Bookshop Is So British It Politely Swallows Back Its Own Conflicts By April Wolfe
Film, TV & StreamingComputer-Screen Thriller Searching Is a Strong Argument for Logging Off By April Wolfe
Film, TV & StreamingThe Latest Nick Hornby Movie Winds Up Ditching the Usual Nick Hornby Dude Protagonist By April Wolfe
Film, TV & StreamingFinally, Some Good News: Netflix’s Like Father With Kristen Bell, Kelsey Grammer Worth Your Time By April Wolfe
Film, TV & StreamingNetflix’s The Bleeding Edge Exposes the Horrors the FDA Approves From Medical Device Makers By April Wolfe
Film, TV & StreamingUnfriended: Dark Web Kills Its Horror Fun by Believing in the Trolls By April Wolfe
Film, TV & StreamingSorry to Bother You Smashes Corporate America and the Rules of Movie Storytelling By April Wolfe
Film, TV & StreamingDaughter-Father Comedy Boundaries Won’t Let Vera Farmiga Catch a Break By April Wolfe
Film, TV & StreamingThe New Sicario Is Violent, Moving and Implausible, But Less So Than Real Life By April Wolfe
Film, TV & StreamingStill Rolling: Leave No Trace’s Debra Granik on the Fight to Make Movies Down in the Dirt By April Wolfe