Nick Schager

Nick Schager is a regular film contributor at Voice Media Group. VMG publications include Denver Westword, Miami New Times, Phoenix New Times, Dallas Observer, Houston Press and New Times Broward-Palm Beach.

Latest Stories

Wim Wenders’s Every Thing Will Be Fine Is a Movie Gone Wrong

By Nick Schager

Brooklyn Reveals Saoirse Ronan as One of the Greats

By Nick Schager

Steve Jobs Digs at the Core of the Apple Icon

By Nick Schager

Kurt Cobain Is Honored in the Stunning Montage of Heck

By Nick Schager

Role-Reversal Nonsense Dominates in Viva la Liberta

By Nick Schager

This Year’s Oscar-Nominated Short Films Are Short on Winners

By Nick Schager

The Welcome Return of Kurt Russell

By Nick Schager

Wrong Move, Remake: The Lasting Relevance of Paul Verhoeven’s Original RoboCop

By Nick Schager

The Triumph of Frozen, the First Disney Princess Movie About Girls Rather Than for Them

By Nick Schager

Asghar Farhadi’s The Past is a sublime study in human emotion

By Nick Schager

The Invisible Woman is attuned to its characters’ sorrow

By Nick Schager

How Real Sex in Real Movies Is a Real Distraction

By Nick Schager

Girl Most Likely, a Jersey-vs.-Manhattan Comedy

By Nick Schager

The unbearable lightness of Grown Ups 2

By Nick Schager

Adam Sandler Movies: Everything Old Is New Again

By Nick Schager

Disney TV Is Poisoning Your Daughters

By Nick Schager

Flick Pick: Tiger Eyes

By Nick Schager

Tiger Eyes is a breath of fresh air — and an opportunity

By Nick Schager

The sometimes mushy Tiger Eyes is still a respectable coming-of-age tale

By Nick Schager

How M. Night Shyamalan became just another director

By Nick Schager

Can Uwe Boll finally get some respect?

By Nick Schager

Stoker‘s cracked love triangle soaks in sin and sadism

By Nick Schager