Ten Best Ghost Tours in Denver and Beyond
The best ghost tours in Denver this year, from LoDo’s haunted bars to Boulder’s haunted theaters and the Stanley Hotel’s spooky lore.
The best ghost tours in Denver this year, from LoDo’s haunted bars to Boulder’s haunted theaters and the Stanley Hotel’s spooky lore.
Discover the scariest haunted houses in Denver for 2025, ranging from legendary scream parks to DIY home haunts to corn maze scares.
Denver’s Conspiracy Circus celebrates 44 shows of sideshow spectacle at the Learned Lemur on East Colfax on October 11.
Convergence 2025 brings ninety performers from twenty Colorado dance groups together for a cost-sharing celebration of movement.
Take a look back at Summit’s history in Denver.
The announcement came with another blow: Charlie Miller, Off-Center’s co-founder, executive director and curator, will leave the organization in March after seventeen years.
Denver’s second annual sketch comedy festival welcomes 114 performers from across North America for three days of fast-paced comedy.
“It’s an incredible homecoming and a huge honor to be able to return to the regional touring house where I grew up seeing shows.”
“It’s a political satire that layers Hitler’s rise to power with gangster movies of the 1930s and Richard III .”
“We have seen people stand in front of this thing and just cry. We were not prepared for that.”
Emancipation Theater’s new play blends Black history, hip-hop and Western lore in a world premiere.
Youth from the Colville Confederated Tribes co-curate an exhibition at Denver’s Clyfford Still Museum featuring artwork of their ancestors.
“What we do at Vinegar Syndrome is find those lost, obscure genre films that have never had a Blu-ray or 4K release, and then restore and release them.”
“If we can get even one dog adopted, that’s a win, but I think it’s going to be much bigger than that.”
DCPA Off-Center’s highly anticipated follow-up to its groundbreaking 2016 immersive hit is an underwhelming grief trip.
“The whole ‘us or them’ conundrum is where everything falls apart. There is no ‘us’ without ‘them.'”
“We’re not just funding bricks and mortar – we’re investing in a living, breathing cultural epicenter that will serve generations.”
“The thing I have most in common with the characters I write is ambition. I want ‘The Legend of Anne Bonny’ to go to Broadway; I want it to be huge.”
From fire and loss to cherry blossoms and galaxies, this aerial show blends survival, beauty and joy.
“It’s refreshing to have a play that’s talking about politics that’s not a total bummer. A lot of plays about the current moment leave you sad. This one lets you have fun.”
“Artists contemplate endings in all kinds of interesting ways and can help us think about how we, as humans, need to be present in our own endings.”
“So many of us have a lot that we’re grieving, so this piece is really a response to where we are in the world right now.”