The two-day public event includes four staged readings of new plays, parties, premieres and much more.

The ballet company commemorates decades of captivating performances with a season of drama, romance and a little jazz.

Against the backdrop of national industry challenges, leadership changes and evolving programming, the nonprofit opens its final mainstage show this season.

“Standup comedy is supposed to be for adults and it should be the comics saying what they want, uncensored.”

A radical, interactive three-part performance that explores Colfax Avenue’s mad, queer and disobedient histories blurs the line between activism and performance.

“This is not something just for me – it’s so Black history is not forgotten. Every time somebody tells a story, somebody is going to learn something.”

The touring production of Back to the Future: The Musical fails to capture the film’s charm.

“The scope of this project is so much bigger than anything I’ve ever done,” says the playwright, a former child actor in Denver.

After nearly forty years of using storytelling to deliver health messages, the nonprofit is looking for a partner to do the job.

“We realized how important it was to tell this feminist, queer story about women claiming agency in the face of oppression while remaining joyful and fun.”

“We need a big comedy club for comics to go, but we also need these smaller, independent shows for people to refine stuff.”

“One of the best parts was shooting on location in Denver. We’ve got the Big Blue Bear, Triangle Park and the city skyline. Since it’s made in Denver, we wanted people to see it.”

“The DCPA will follow the growing national trend to deliver all tickets closer to the performance date in order to decrease the amount of time secondary brokers have to resell tickets at an inflated cost.”