Mike Judge’s Idiocracy might technically be coming back to theaters for one night only, but for many of us, it’s been running on an endless loop for years. In a world where Donald Trump is a presidential candidate and some cafes are now offering blowjobs with your morning coffee, it’s…
You might have let yourself act surprised as the waters have risen and the floods have come. But you can’t anymore, not after 13th, Ava DuVernay’s miraculous cine-history of the criminalization of American blackness. Few films shake and astonish like this one, even though nothing in it should be a…
One of the strengths of a good drag queen can often be her ability to MacGyver a whole outfit together with nothing more than a yard of fabric, rhinestones, hot glue and a prayer. Week six of the Ultimate Queen All-Stars battle at Tracks challenged the gals to create looks…
The month before Fish Tank writer/director Andrea Arnold premiered her film American Honey at this year’s edition of the Cannes Film Festival (where it won the Jury Prize), she spoke before an audience with director Ira Sachs as part of the Tribeca Film Festival. The following are excerpts of her remarks, edited for clarity…
There’s little in the way of setup or explanation for what the “bad batch” is or how the members of such a motley, unfortunate tribe of humans were banished to a desert wasteland in Ana Lily Amirpour’s post-apocalyptic action dramedy. Instead, Amirpour just lets the camera linger on a sign…
I want to take a moment to apologize to Anne Hathaway. Ms. Hathaway, as you’ve grown from precocious princess (The Princess Diaries) and embattled intern (The Devil Wears Prada) to destitute prostitute (Les Misérables) and back again to Disney royalty (Alice Through the Looking Glass), I’ve sometimes judged you unfairly,…
When Relativity Media — the production company/distributor behind Masterminds, the newest vehicle for Zach Galifianakis to do his painfully committed schtick — started getting press, co-founder/co-CEO Ryan Kavanaugh boasted of his secret sauce for success. A proprietary risk-evaluation algorithm that crunched variables like cast, release date, relative examples in the…
It’s the most wonderful time of the year! No, not Christmas. It’s Halloween season! Otherwise known as the time of year when young lovers look for movies to tremble through together and psychotic minds (all of us, really) crave a good scream…or just a simple onscreen bloody decapitation. Enjoy this…
It takes all of two minutes of listening to Emily Blunt’s voiceover in The Girl on the Train before you have to wonder whether this narrator might be unreliable. As her Rachel rides Metro-North in and out of Manhattan, detailing her growing obsession with the ostensibly perfect couple she steals…
This week, our critics took to the theaters to review four new films. Tim Burton proves he’s still got it in Miss Peregrine’s Home for Peculiar Children, Mark Wahlberg guides us through a surreal tragedy in Deepwater Horizon, and we learn about music’s man behind the curtain in Danny Says. Here are…
The techniques of verbatim theater go back decades, to at least the 1950s, when young German theater troupes would reenact complicated court cases word for word onstage. Even earlier, in the United States, the WPA paid for a form of this performance with its Living Newspapers, in which theater artists…
Set aside all human decency and imagine, for a moment, that you’re Kim Jong-il. Imagine it’s 1978, and you’re pushing 40, still Great Leader’s son rather than the future Dear Leader. You have yearned for years to create a truly great North Korean cinema, one whose films would be celebrated…
The conventional wisdom about early-career Tim Burton is that he was an imaginative visual stylist but not a great storyteller. That sounds smart, right? It’s still something that a certain kind of ratty-beard-stroking film critic keeps tucked in his sweater vest in case he needs to say something that sounds…
Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…
America might not be ready for Fleabag, the new Amazon/BBC series from British writer and creator Phoebe Waller-Bridge. Think about all the guff Girls received for “forcing” viewers along on a ride with myopic 20-somethings. Waller-Bridge has gone even further than Girls creator Lena Dunham, speaking directly to the camera…
The first moments of Luke Cage offer much that the previous 38 or so hours of Marvel superhero Netflix drama haven’t: laughter. Warmth. A sense that the New York City that Daredevil and Jessica Jones mope and brawl through might be more than just a place to save — it…
There’s an unforgettable scene in Like Water for Chocolate. A woman bakes a cake for the wedding of the man she loves but is not marrying. She weeps into the batter. When the wedding guests eat her cake, they vomit wildly: Her grief poisoned her cooking. Janelle VanderKelen draws on this…
They say there’s no business like show business, and week five of the Ultimate Queen All-Stars battle at Tracks (Thursdays for the next four weeks) proved that adage as the girls were challenged to do their best with the music of soundtracks — from Broadway or Hollywood. Gia StaxXx kicked…
One of the benefits of services like Netflix and Amazon Prime is that they allow TV stars, liberated from the confines of network television and cable, to try something new, expand their reach or otherwise kick it up a notch. In Amazon’s Eat the World, for example, Emeril Lagasse, the…
You know those kids who didn’t give a shit about fashion or football but piled onto beanbags in the basement every Friday to watch the freakiest low-budget camp horror comedies and psychedelic vintage animations on bootleg VHS procured via mail order from some dude they met at a rock show…
The road to equal treatment has been a long and difficult one for the disabled community, and littered with setbacks and defeats. Occasionally lost in that quest for accessibility legislation and insurance mandates has been the subordinate struggle to recognize the fact that, yes, the disabled can be assholes, too…
Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…
