The first moments of Luke Cage offer much that the previous 38 or so hours of Marvel superhero Netflix drama haven’t: laughter. Warmth. A sense that the New York City that Daredevil and Jessica Jones mope and brawl through might be more than just a place to save — it…
There’s an unforgettable scene in Like Water for Chocolate. A woman bakes a cake for the wedding of the man she loves but is not marrying. She weeps into the batter. When the wedding guests eat her cake, they vomit wildly: Her grief poisoned her cooking. Janelle VanderKelen draws on this…
They say there’s no business like show business, and week five of the Ultimate Queen All-Stars battle at Tracks (Thursdays for the next four weeks) proved that adage as the girls were challenged to do their best with the music of soundtracks — from Broadway or Hollywood. Gia StaxXx kicked…
One of the benefits of services like Netflix and Amazon Prime is that they allow TV stars, liberated from the confines of network television and cable, to try something new, expand their reach or otherwise kick it up a notch. In Amazon’s Eat the World, for example, Emeril Lagasse, the…
You know those kids who didn’t give a shit about fashion or football but piled onto beanbags in the basement every Friday to watch the freakiest low-budget camp horror comedies and psychedelic vintage animations on bootleg VHS procured via mail order from some dude they met at a rock show…
The road to equal treatment has been a long and difficult one for the disabled community, and littered with setbacks and defeats. Occasionally lost in that quest for accessibility legislation and insurance mandates has been the subordinate struggle to recognize the fact that, yes, the disabled can be assholes, too…
Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…
In this age of billion-dollar, candy-colored, fully digital child-distraction movie-making, the new chatty-animal adventure comedy Storks wouldn’t have to be good in any way to be wildly profitable. It often is good, though, hilariously so, its too-familiar misfits-become-a-family storyline enlivened by flights of lavish comic invention. Its set pieces, especially…
A woman wears sunglasses, a tight red dress, matching long gloves and red lipstick. She stands and smokes a cigarette, ostensibly watching a rugby game, but really the players are watching her, fumbling their footwork, and it’s exactly the effect she desires. This early scene, with its shifting gazes and…
Pasolini’s Salò meets red Solo cups in Goat, Andrew Neel’s deep, dank dive into the depravities of frat pledging that operates as its own kind of hazing ritual. Points are made and lessons imparted with all the subtlety and finesse of a Greek paddle to the head. Based on Brad…
It’s hard to watch White Girl without experiencing a creeping sense of anxiety. Loosely based on the adolescent life of writer/director Elizabeth Wood, the film follows Leah (Morgan Saylor), a college student who parties all night and snorts prodigious amounts of cocaine. She and her roommate, Katie (India Menuez), live…
Look, if you’re not stirred by the sight of Denzel Washington, clad in head-to-toe black, riding a black stallion over dunes and bluffs and right up to the saloon of some two-bit frontier town — well, then maybe the movies just aren’t for you. Washington, of course, strides right into…
What has the power to register voters (and possibly bring about world peace)? Tacos, of course. Playing off a Donald Trump surrogate’s famous “taco trucks on every corner” quote, in which the co-founder of Latinos for Trump suggested that leaving immigration unsolved would lead to – gasp! – a taco truck on…
Discount advance ticket packages are now on sale for the 39th Denver Film Festival, offering select blocks of tickets for the festival that will run from November 2 through November 13. And the Denver Film Society, which has produced the festival since its start forty years ago, has revamped its…
Filming started this past Monday on Our Souls at Night, the fourth film in which Robert Redford and Jane Fonda co-star. The others are 1966’s The Chase, 1967’s Barefoot in the Park and 1979’s The Electric Horseman — but one reader thought there was one more. Says Maddy: You forgot…
Over the last 10 days, the Toronto International Film Festival has screened hundreds of movies from all across the world. LA Weekly’s April Wolfe and Michael Nordine trekked to Canada in search of the best of the fest, from the Cannes holdovers and awards hopefuls to the world premieres and…
It was a wild week in film releases. We reviewed John Krasinski’s Sundance favorite (which won’t break the dysfunctional family arc), found the final installment in the Bridget Jones saga, Bridget Jones’s Baby, to be a pleasant surprise, and an got spooked with an eerie Polish possession in Demon. Here are the eight best…
We’ve come a long way since American Psycho. And also not. When co-writer/director Mary Harron premiered her Bret Easton Ellis adaptation in 2000, the kneejerk assumption for audiences who’d only seen the trailer was that surely a man had made the ultra-bloody black comedy. The film was dismissed before it…
Looking back at this dismal summer of superhero adaptations, I am reminded of something Chris Rock said during the 77th Academy Awards: “There are only four real stars, and the rest are just popular people.” This was February 2005, mind you — a few months before Christopher Nolan’s Batman Begins…
At first glance, TV (The Book), which came out last week, may look like a survey of what two respected TV critics consider to be the greatest television shows of all time. But, really, it’s a book about friendship. The joint authors of this tome, Alan Sepinwall and Matt Zoller…
Better Things’ creators seem to anticipate that you’ll judge Sam Fox’s parenting – and they make you pay for it. In the first scene, Sam (Pamela Adlon) scrolls through her phone on a mall bench while her youngest daughter, Duke (Olivia Edward), cries and pulls on her arm. It’s one…
To show all that he can do, to show something of what life’s actually like, Donald Glover first has to break your heart. Glover – the star, creator, and often writer of FX’s tense, downwardly mobile hangout comedy Atlanta – is best known, still, as a handsome clown on NBC’s Community, Dan…
