In lieu of a traditional title card, Indivisible offers a corker of an opening sequence that begins with three young women walking home from the beach like hungover soldiers in soft morning light until a blue panel van displays the original Italian title: Indivisibili. In between, that trio of up-all-night…
Writer/director Osgood Perkins has been peeking at my Shirley Jackson book collection, and he’s already read through my favorites: The Haunting of Hill House and We Have Always Lived in the Castle. His sophomore feature, I Am the Pretty Thing That Lives in the House, is a magical amalgam of…
The Hollars tells the familiar tale of a dysfunctional family pulled together by unfortunate circumstances. John Hollar (John Krasinski, who also directed) is a frustrated graphic novelist with a pregnant girlfriend, Rebecca (Anna Kendrick). When he gets the news that his mother, Sally (Margo Martindale), has a brain tumor, he…
Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles and pratfalls provide the laughs in the atypical romcoms built around her, films that rely heavily on the comedy of idiosyncrasy. Bridget is no outsider: She’s a straight, white, middle class, university-educated woman with a London apartment, a media…
Matt Johnson’s prankish Operation Avalanche boasts a strong half hour of footage that’s fully engaged with this question: Could a couple of bright, Kubrick-obsessed A.V. geeks have faked the moon landing in 1969? Like the best speculative fiction, these scenes concern the practicalities. We see the gang’s hidden-camera peek at…
Still and silent, Jerry Lewis slumps there like old furniture in the lifeless house in which the first half of Daniel Noah’s coming-of-old-age drama Max Rose molders. The film is a fiction, a tidy and improbable one, but these scenes have documentary power. Lewis’ Max Rose, recently bereaved, sits and…
Horror has in recent years been so informed by found footage, smartphones and Skype that a trend toward folklore was probably inevitable. Far from trying to capture the moment, arthouse movies like The Babadook, It Follows and now Demon aspire to a kind of timelessness — what was old has…
What happens when a director takes his own life before he’s able to see his work open in theaters? In the case of Marcin Wrona and Demon, his mesmerizing Polish art-horror film, Olga Szymanska, Wrona’s producing partner and wife, has pressed on. She has traveled with the film, watching the…
“They should have sent a poet,” says Jodie Foster’s teary-eyed astronaut as she gazes upon the glory of space in Contact. It took nearly 20 years, but Terrence Malick has taken it upon himself to answer that call with Voyage of Time. Not every line rhymes, and some privilege sound…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. Writer/director Ivan I. Tverdovsky may be a twentysomething male, but in his sophomore feature, he exhibits a direct pipeline into the psyche of a lonely, middle-aged woman. In Zoology, a lowly zoo worker suddenly sprouts…
Set aside your visions of histrionic, paranoid fireworks. Oliver Stone’s whistleblower biopic Snowden finds the director in an unusually somber and controlled mood, perhaps because of the introverted, awkward nature of Edward Snowden himself. The former CIA employee and National Security Agency contractor, who in 2013 exposed the U.S. government’s…
Our critic April Wolfe is filing updates all week from the Toronto International Film Festival. When a quiet film is set outside of the big cities — New York, L.A., Chicago — it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people…
What’s constant in Katherine Dieckmann’s films – Motherhood (2009), Diggers (2006) and A Good Baby (2000) – is an attention to characters and place. Many of us in the world of film reside in the big coastal cities, but a good number come from somewhere else, smaller towns with subtle…
According to Forbes, Fan Bingbing made $17 million last year — more than any actress on the planet not named Jennifer Lawrence, Melissa McCarthy, Scarlett Johansson or Jennifer Aniston. The Chinese megastar is likely most familiar to American audiences for a blink-and-you’ll-miss-it role in X-Men: Days of Future Past, but…
The Circus: Inside the Greatest Political Show on Earth airs Sundays on Showtime In filmmaking, an assembly cut is when recent dailies are strung together in rough narrative order to create the first, very raw draft of the movie. Though it by no means lacks polish or editorial intent, Showtime’s…
The first wave of frightful programming has just been announced for 2016’s sole local horror film festival survivor, the Telluride Horror Show, which takes place October 14 through 16. And it’s a bloody array of gems just waiting to be mined in the eerie mountain town. “Our first batch represents…
This week, our critics boldly reviewed a new Spock-doc, Clint Eastwood gave us a hero’s happy ending with Sully and our Trump-induced daydreams about moving to Norway slowly faded in In Order of Disappearance. Here is every new film that’s just opened in Denver, plus one bonus ongoing film that you must…
Some filmmakers tell great stories. Jason Halprin chooses not to. In films he’ll show Saturday night at Cinema Contra, he refuses to dictate to audiences how or what they should feel or think. The 38-year-old experimental filmmaker grew up in Pueblo. In high school, he seeped himself in the writings…
Before The Eric Andre Show came along, I always thought acting like a complete lunatic on television was mostly a white-people thing. As a culture, African-Americans generally frown upon the idea of being unabashedly clownish for the masses — black folks call it “showing your ass.” All those years of…
The Bachelor stands erect as the vanguard of heterosexual romance competitions. Bachelor in Paradise (BIP), whose third season concludes this week, is the sunburnt, daydrunk cousin of the ABC franchise. Set in the Ewok Village on the Planet Endor (the perfect place to fall in love), the summertime distraction stars…
We should be tired of wondering why Scandinavians are so fascinated with runaway crime — it’s obviously because they have so little of it. Set in Chicago or Bangkok or Juarez, vicious bloodletting might play like wallpaper, but it comes off as almost surreal, and a little gimmicky, when framed…
Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…
