There are comedies of discomfort, and then there’s Margot at the Wedding, Noah Baumbach’s scalding followup to The Squid and the Whale. An immersion in sibling malice and simmering resentment, with one of the most infuriating characters in recent movies holding us under, Margot tramples the commandment that only the…
Re-reading Ian McEwan’s Atonement last weekend, my first thought was: I hope to God that Joe Wright — whose broadly grinning Pride & Prejudice made a mess of Jane Austen two years ago — doesn’t screw up this wonderful novel about lust, love, loss and what art can do to…
The Girl Next Door (Anchor Bay)If the horror of Saw was a poblano pepper, this here is the habañero. Derived from Jack Ketchum’s infamous novel, sometimes word-for-word, The Girl Next Door — based on a true story — is a sort of Hostel meets Stand By Me: A group of…
American Art Invitational. Art, like politics, can be divided into liberal and conservative camps, with contemporary art representing the left and traditional art the right. But unlike politics, where the baton can pass back and forth between the two opposites, the art world has been run decisively by the liberals…
Acid flashback or déjà vu? Who, having lived through the late ’60s, would have anticipated re-experiencing the spectacle of an arrogantly mendacious U.S. administration bogged down in an ill-conceived, undeclared, bungled, costly and apparently endless counterinsurgency? (Although who familiar with American history could doubt its recurrence?) Iraq isn’t Vietnam. Yet,…
Hot Rod(Paramount)Andy Samberg, best known for stuffing his dick in a box on Saturday Night Live, is Rod Kimble, a wannabe stuntman with very little “man” in him. He lives with his mom (Sissy Spacek, not kidding) and a stepdad (Ian McShane), who needs a new heart at a “conveniently…
I’m Not There is the movie of the year — but to whom does Todd Haynes’s Bob Dylan biopic actually belong, and when was it really made? The great attention-grabber of last month’s New York Film Festival, I’m Not There is as notable for its stunt casting as its elusive…
Artisans & Kings. For its first extravaganza of the season, the Denver Art Museum has unveiled a sprawling blockbuster in the Frederic C. Hamilton Building that focuses on the royal collections from the Louvre. You don’t have to know much about art to have heard of the Louvre, so Artisans…
Something about that movie, though, well I just can’t get it out of my head/But I can’t remember why I was in it or what part I was supposed to play. — Bob Dylan, “Brownsville Girl” Literally speaking, Bob Dylan isn’t “there” in Todd Haynes’s staggering mix-tape biopic I’m Not…
As one of what novelist Stephen King calls his Constant Readers, I was as jazzed as every other monster-lovin’ geek when word came that filmmaker Frank Darabont was making a movie of King’s classic novella The Mist. Adapting King’s The Shawshank Redemption (1994) and The Green Mile (1999) brought the…
Hard to believe that it’s been twenty years since the release of The Princess Bride, if only because it hasn’t aged a day — the mark of something truly, blessedly timeless. Bereft of the pop-culture gags that curdle the Shrek movies and absent the cynicism of most other kids’ films…
Hearts of Darkness: A Filmmaker’s Apocalypse(Paramount) At last available on DVD, Eleanor Coppola’s 1991 documentary about her husband’s tumultuous trek downriver remains, easily, the best film ever about the making of a movie and unmaking of a man. Francis Ford Coppola thought he was going to spend 16 weeks in…
Clyfford Still Unveiled. A master and pioneer of mid-twentieth-century abstract expressionism, painter Clyfford Still was something of an eccentric in the artist-as-egomaniac stripe. His antisocial behavior led to a situation where 94 percent of his artworks remained together after he died — a staggeringly complete chronicle of his oeuvre that…
Hold still.” It’s what the hunters say to the hunted in the Coen Brothers’ No Country for Old Men. The first time we hear it, it’s the out-of-work Vietnam vet Llewelyn Moss (Josh Brolin) whispering optimistically to the antelope he spies through his rifle sight while perched on the crest…
Before the Devil Knows You’re Dead is less Sidney Lumet’s comeback than his resurrection. Three years after being presented a Lifetime Achievement Oscar, the 83-year-old director comes forth with a violent family melodrama that is his strongest movie in at least two decades. Robustly directed from Kelly Masterson’s bear-trap screenplay…
Midway through the amiable children’s movie Mr. Magorium’s Wonder Emporium, there comes a speech that I’ll wager writer-director Zach Helm has been saving for future use ever since he discovered the Bard. As pop philosophy goes, it’s bracing stuff: Paraphrasing King Lear, Mr. Magorium (Dustin Hoffman), a 243-year-old “toy impresario”…
The Princess Bride: 20th Anniversary Edition(MGM)As far as anniversary-edition DVDs go, The Princess Bride is crushingly disappointing: no Rob Reiner commentary track, no outtakes, no making-of doc, no nothing, save for a lousy game and a few short interviews with Robin Wright Penn, Mandy Patinkin, Christopher Guest, and a few…
Artisans & Kings. For its first extravaganza of the season, the Denver Art Museum has unveiled a sprawling blockbuster in the Frederic C. Hamilton Building that focuses on the royal collections from the Louvre. You don’t have to know much about art to have heard of the Louvre, so Artisans…
Deserting his dreams, Daniel Gold packed up his family and left the Big Apple to forge ahead to a life of new frontiers in…Arvada, Colorado. What’s worse, he just turned 35. This is Suburban, a Mile High-produced feature-length film that follows Gold as he measures his merit and his manhood…
A doom-ridden pulp cabalist with a dark sense of purpose as well as humor, Richard Kelly shoots the moon with his rich, strange and very funny sci-fi social satire, Southland Tales. Kelly’s debut, Donnie Darko, was the first post-millennial cult hit; his second feature, Southland Tales, achieved film maudit status…
Less a war drama than a set of dueling position papers, Robert Redford’s Lions for Lambs may be the gabbiest movie ever made about American foreign policy — and it wasn’t even written by Aaron Sorkin. Hot young screenwriter Matthew Michael Carnahan is fresh off his alpha-male script for The…
Banking on the career choices of Vince Vaughn garners increasingly erratic returns, which is ironic, given that he has finally settled on (or surrendered to) a consistent on-screen persona: his own bad self. Uneasy from the beginning, Vaughn avoided the superstardom that seemed within reach after Swingers by trying on…
