The Thing died a noisy death when it debuted in 1982. In fact, this masterful paranoiac thriller about a vicious shape-shifting alien infiltrating a group of scientists stationed in Antarctica bombed so hard that director John Carpenter was fired from his follow-up gig working on Firestarter. (Roller Boogie director Mark…
Voyage of Time: The IMAX Experience might be the most narrative film of Terrence Malick’s career. The enigmatic director’s recent work has been marked by a turn toward elliptical, stream-of-consciousness meditations, pretty much discarding any semblance of conventional storytelling. But going as far back as Badlands (1973), he’s had a…
As has been widely noted, Woody Allen’s Crisis in Six Scenes isn’t really a television series; its six episodes are not particularly self-contained, and plot developments crest and climax willy-nilly regardless of where each segment ends. It’s a two-and-a-half-hour movie, the longest one Allen’s ever made, and with the option…
“As it always happens in the Chris Guest movies, we really don’t talk to each other before we get to set,” Jane Lynch says, explaining how she creates her menagerie of characters, specifically Gabby Monkhouse from Guest’s newest mockumentary, Mascots. “A couple months before, I got a call from Chris,…
Season three of Amazon’s Transparent has few of the cratering events that have marked our time with the Pfeffermans up to this point, but it continues to reward thinking viewers as it considers issues of gender and identity, the intersection of theory and reality, the lingering impact of sexual abuse…
“We’re all terrified of forgetting what he looked like or sounded like,” says David Wheeler in Newtown, Kim A. Snyder’s transfixing documentary portrait of collective grief and resilience. Wheeler, like many of the bereaved parents and siblings interviewed for Snyder’s film, finds some comfort in old photos and home movies,…
“Shit’s getting ugly in the RuPaul Drag Race.” —Janae, Orange Is the New Black RuPaul’s All Stars 2 has been perhaps the greatest season of the only reality-TV competition that matters. Logo TV’s Emmy-winning series is not only a mainstream ingress into a historically devalued, antinormative art form for an…
Adults in 2016 know not to feed the trolls. If you have to, though, you need to come on hard and strong, publicly glutting them on so much truth that they just curl up and die under their bridges/in their comment threads. So it goes in Mick Jackson’s patient, heartening…
Half a century after its debut, The Battle of Algiers has a permanent parking spot in the film canon. After taking home the Golden Lion at the 1966 Venice Film Festival, it was nominated for three Academy Awards (one in 1967 and two in 1969, oddly) and now ranks within…
In American Honey, her 162-minute fourth feature (and the first she’s made in the U.S.), the British director Andrea Arnold sets an infatuation-at-first-sight encounter to Rihanna’s “We Found Love,” a conversation about dreams to Bruce Springsteen singing “Dream Baby Dream” and a moment of camaraderie among itinerant youngsters traveling across…
Fred Armisen and Bill Hader are a rarity in the comedy world: funny people with hearts of gold. It was obvious all those years when they were cast members on Saturday Night Live. They handled their characters — whether living, dead or purely fictional — with a visible sweetness. Think…
Here’s what matters most: You will laugh. Kevin Hart on a stage before thousands, yapping for more than an hour? I don’t care what kind of miserable killjoy you are, you’re going to laugh. There are two reasons you might be offended — you may find the material either too…
There’s plenty of time to wonder, as J.K. Simmons narrates page after page of backstory, whether the creators of The Accountant realized that their dutifully twisty R-rated thriller was actually another superhero story. Yes, it’s got trappings of psychology and adult thoughtfulness, speeches about the mysteries of the brain and…
Today the Denver Film Society releases the full schedule for the 39th Denver Film Festival, taking place November 2 – 13 at the Sie FilmCenter, Ellie Caulkins Opera House and the UA Denver Pavilions Stadium. With over 200 titles representing local, national and international independent films — as well as industry panels, workshops,…
For the semifinals of the Ultimate Queen All-Stars competition at Tracks last week, the category was “Dance & Choreography” — and the girls were stretched and ready for a fantastic and footloose battle, with a double elimination looming. Since one of the contest prizes is a six-month gig at the city’s…
Filmmakers remix classic movies for countless reasons: nostalgia, mining old footage for new meaning, creating jokes or social commentary. Then there’s Gregg Biermann, who processes Hollywood classics and sometimes his own footage through mathematical formulas designed to create digital optical patterns that are not always beautiful, psychologically innovative or rich in…
Punk is so much more than loud music with rebellious lyrics screamed over electric guitars wailing three chords and 16th notes. It’s more than leather jackets, Mohawks and patches. It’s even more than radical politics that veer far right or far left. It’s rough around the edges, cheap to make and…
In less than a month, the 39th Denver Film Festival will be upon us, and the Denver Film Society just announced titles for its prestigious November 2 opening night, along with centerpiece nights and closing festivities on November 13. Kicking off the festival will be the playful third film by…
They say there’s no accounting for taste, and here to prove it is The Greasy Strangler. A fringe-inhabiting genre provocation destined for a self-selecting audience with strong stomachs, co-writer/director Jim Hosking’s feature-length whatsit tests sensibilities, but Hosking forgets that oddity isn’t a substitute for quality. The film offers a chance…
Command and Control is frightening for a whole pants-shitting list of reasons, but perhaps the scariest is that the near-detonation of a nuclear warhead in 1980 was sparked by the tiniest imaginable accident. A technician working on a Titan missile in a Damascus, Arkansas, silo dropped a wrench socket from…
Forgiveness is tricky and personal, and you can’t be blamed for not offering it. Buying a ticket to Nate Parker’s slave-revolt drama The Birth of a Nation demands at least some measure of it. As you’ve probably heard, while a student at Penn State, Parker — the film’s star, director…
It takes all of two minutes of listening to Emily Blunt’s voice-over in The Girl on the Train before you have to wonder whether this narrator might be unreliable. As her Rachel rides Metro-North in and out of Manhattan, detailing her growing obsession with the ostensibly perfect couple she steals…
