Entering the first of the galleries off the main entrance of Denver’s Museum of Contemporary Art, viewers are surrounded by white-on-white color-field paintings by German-born Udo Nger, one of three artists in WHITE OUT: Lighting Into Beauty. As I looked around at the dazzling lack of color, it occurred to…
Rule Gallery (111 Broadway, 303-777-9473) is currently putting on a pair of back-to-back solos, both of which are made up of sophisticated abstract paintings. In the front is Udo Nger: Light as a Material; in the back is Maggie Michael: (T)rain. The Nöger paintings are more modest examples of what…
The objects on display are only the most visible aspects of exhibitions. There are other key components that, though less prominent, are equally essential. The most important of these is the idea underlying the display. Without an idea — even a bad or misguided one — there is no show…
Every year at this time, LoDo’s David Cook Fine Art (1637 Wazee Street, 303-623-8181) presents a group show that’s filled with museum-quality pieces by a who’s who of Western artists working during the last part of the nineteenth century and the first half of the twentieth. This is an important…
Depictions of the figure are getting hot in the art world again; I haven’t seen this much interest in the topic since the 1980s. Falling in line with this international trend, the Robischon Gallery is presenting Stefan Kleinschuster, a mega-sized show that provocatively fills several of the spaces up front…
There’s an interesting sculpture show now at Pirate: a contemporary art oasis (3659 Navajo Street, 303-458-6058) called Sanctuaries. The abstract wall and floor works by Craig Robb are made of steel, wood and plastic. Some include recognizable things, such as tiny chairs and houses, but the best ones are completely…
It was two years ago that I first became aware of an unexpected curve in the art road. Despite all expectations, digital media was on the wane, and painting was waxing. The thought gave me a good laugh, because it was such an outrageous idea. Fast-forward to the present, and…
The spare, monochrome paintings in Angela Larson’s Seeking Harmony, at Spark Gallery (900 Santa Fe Drive, 720-889-2200), may look like neo-minimalist compositions, but they’re not. In fact, these pieces have nothing to do with minimalism or any other art theory, but rather are based on the I Ching. Larson says…
Bobbi Walker, owner and director of Walker Fine Art, has worked hard to break into the top ranks of Denver’s contemporary galleries and, at the same time, make a profit. I can’t comment on how it’s possible to make money in the art business, but I can say that Walker’s…
t’s amazing that in the current art world — where it seems like everyone is searching for the next outrageous irony — good, old-fashioned representational painters are still going strong, as evidenced by Contemporary Realism, at the William Havu Gallery (1040 Cherokee Street, 303-893-2360). Come to think of it, that’s…
It’s hard to think of James McKinnell, whom everyone called Jim, without also thinking of his wife and artistic collaborator for more than fifty years, Nan McKinnell. Nonetheless, we are going to have to get used to the idea of one without the other, because on April 13, Jim died,…
Currently, there are three shows at Pirate: a contemporary art oasis (3659 Navajo Street, 303-458-6058) that have an after-dark character. In two of them, it’s because the galleries themselves have been shrouded in darkness, but in the third, which is well-lit, the nighttime feel has to do with the adults-only…
Although Denver has long been the largest city in Colorado, historically it was not the art-making center of the state. No, that distinction was held by Colorado Springs — even before the launch of the Broadmoor Academy in 1918, which transformed the town into a full-fledged art colony. That knowledge…
The young artist with the epic name of Jared David Paul Anderson is a one-man art movement. Not only is he a serious painter, as he demonstrates in Red, White and Black, now at the Assembly (766 Santa Fe Drive, 303-573-5501), but he’s also the founder of an artists’ collective,…
The Center for Visual Art in LoDo is currently taking on the interesting — and risky — topic of “post-Chicano” art in the group exhibit Leaving Aztlán: Rethinking Contemporary Latino and Chicano Art. It’s interesting because many of the pieces in the show are great, risky because there’s an entire…
In the same way that the works at the Center for Visual Art may be described as post-Chicano (see review), three of the four artists in discourse & decadence at Studio Aiello (3563 Walnut Street, 303-297-8166) are doing what could be called “post-queer.” Addressing this particular topic is an act…
Cydney Payton, director of Denver’s Museum of Contemporary Art, has often said that one of the most important things an art show can do is to create controversy. The exhibit that’s there now, Will Boys Be Boys?, is not really controversial, but it does raise a lot of issues –…
Time flies, as the saying goes, but it’s still hard to believe that Space Gallery (765 Santa Fe Drive, 720-904-1088) is already celebrating five years in business. Apparently, though, it’s true: The current exhibit, Untold Riches, is being billed as the venue’s fifth-anniversary show. Organized by Space owner Michael Burnett,…
The landscape and the natural environment have long preoccupied artists. In a contemporary context, though, artists can’t simply record the scenery; they need to comment on it, transform it. Robischon Gallery is currently presenting a pair of solos featuring two Boulder artists whose reputations go way beyond the metro area…
Two contemporary abstraction artists, McKay Otto and Ethan Jantzer, have been given separate solos at + Gallery (2350 Lawrence Street, 303-296-0927). The two shows, Otto’s Every Place and Jantzer’s Bound, are very compatible, with both artists doing new work based on time-tested traditions in abstract art: expressionism and minimalism. Otto,…
The art world is constantly searching out fresh material, which is why there’s always interest in talented artists in their twenties. But another way to come across stuff that’s new is to rediscover artists who’ve been out of sight for a long time — people who are typically in their…
In the center spaces of the Sandy Carson Gallery (760 Santa Fe Drive, 303-573-8585), director William Biety has installed Susan Stinsmuehlen-Amend: Mixed Media, a display of oddball, multi-part pieces made of offbeat materials. The show doesn’t really go with the Jeff Wenzel feature installed across the front of the gallery…
