According to bassist Darien Waldhoff, he and the other members of Denver’s industrial/ goth act Filmstrip “should just get exorcised and get it over with.” The musicians (Waldhoff, singer/programmer Brendan K. Russell and keyboardist Ruth Saringer) can’t say for certain that they were born under a bad sign, but there’s…
What was probably this summer’s most anticipated modern-rock amphitheater show proved conclusively that the music’s not just for punks anymore. In fact, the August 23 Red Rocks performance by Live, a young Pennsylvania act whose latest disc, Throwing Copper, has sold 5 million copies, was not just pleasant, tuneful and…
Foo Fighters Foo Fighters (Capitol) First off, let’s make one thing clear: This debut long-player from former Nirvana drummer Dave Grohl’s new band isn’t the “new Nirvana album,” as many of the rock geeks out there have been claiming. Nor is it one of those alternative “supergroup” things that have…
Singer Clarence Fountain was already a member of the Five Blind Boys of Alabama when the group–perhaps the greatest gospel ensemble to emerge this century–turned professional in 1944. Within three years he would become the pilot of the crew. Nearly fifty years later, Fountain, 66, says the act has survived…
Charlie Hunter, a guitarist whose self-named jazz trio has become an unexpected favorite of the nose-rings-and-tattoos crowd, doesn’t like being painted into a corner. When asked about attempts by some jazz purists to define what is and what isn’t jazz, he replies, “That’s totally limiting. It’s limiting for us, and…
In Boulder’s neohippie scene, there’s a thin line between playing original music and merely regurgitating a popular sound. However, the members of Aquarian Voodoo have found a way to skirt this problem–by doing both at once. The performers (lead singer/guitarist Chris Leonard, mandolinist/harmonica player Bill Browning, guitarist Chris Melia, drummer…
P.J. Harvey, with Live and Veruca Salt, Wednesday, August 23, at Red Rocks, is a rarity in contemporary pop music: an artist whose integrity and love of creative risk are virtually unassailable. As demonstrated by recordings such as Rid of Me and last year’s thrilling To Bring You My Love,…
Sympathy F, with Genuine, X LuLu, Terminal Hinge and Spoon Collection, Wednesday, August 23, at the Mercury Cafe, certainly deserves to have been chosen as one of five area finalists to compete in this, the Denver edition of the third annual Ticketmaster Music Showcase Tour. The bandmates have overcome an…
It’s unlikely that every allegedly autobiographical story recounted by Tim DeLaughter, guitarist and vocalist for the Dallas-based band Tripping Daisy, is true. But he tells his tales with such conviction and with so much twangy, ingenuous charm that it hardly matters. Take, for example, the anecdote that DeLaughter claims inspired…
Maids of Gravity, with Chaos Theory, Saturday, August 19, at Cricket on the Hill, features two members–vocalist/guitarist Ed Ruscha and guitarist Jim Putnam–who were part of Brad Laner’s visionary band Medicine in 1991 and 1992. It should come as no surprise, then, that the Maids, represented by a groovy, self-titled…
Vivid Imagination, with No Such Thing and Gothic Frog, Wednesday, August 16 at Cricket on the Hill, is filled with performers who are overqualified to entertain. After all, they’re not just musicians, they’re amateur sociologists, too: They spend hour upon hour absorbing all the stuff kids these days are supposed…
You’d be hard-pressed to find a more relentlessly upbeat person than Philip Bailey. Give the 44-year-old Denver native a chance to gripe about the press, record companies or practically any topic into which most of us would love to sink our teeth, and he’ll likely respond with the glass-is-half-full homily…
“I tend not to read my own press,” says singer-songwriter/guitarist Kevin Salem, from a standard-issue room at a Motel 6 somewhere in North Carolina. “That’s death for musicians. To read articles about yourself is a little bit stifling and unproductive. It’s like spending all your time staring at a picture…
Sonny Kay is as punk rock as anyone in Colorado. Ask him if he agrees, however, and he’ll deny it. “No matter what, we’re always going to be considered relative to punk,” he says of his band, the VSS. “But just for me, personally, what’s considered punk now not only…
Red Aunts #1 Chicken (Epitaph) Brutal Juice Mutilation Makes Identification Difficult (Interscope) The first thing you notice about the artwork for these discs is the blood: Red Aunts Angel, E.Z. Wider, Cougar and Sapphire are covered with it in the various mock-crime-scene shots that accompany #1 Chicken, while the Brutal…
Ashley Kirby, the lead singer, songwriter and guitarist for Boulder’s Zestfinger, insists on setting the record straight. “We love to jam, but not hippie jam,” he asserts. “Our sound is very jazz- and funk-oriented. No trace of Jerry Garcia here.” Kirby’s disclaimer is a necessity, since a cursory reading of…
When VH1 went on the air ten years ago, the network was rightly seen as a graying version of its sister channel, MTV. Programmers there attempted to endear the service to upscale baby boomers (as opposed to MTV-targeted upscale youth) by focusing on cautious “adult rock” and relatively sedate video…
Gray Parade, with Lithium Grin and Bustopher Jones, Tuesday, August 15, at 13th Avenue Bar and Grill, isn’t a band that’s going to bludgeon you into submission with its sound. Instead, the group specializes in swirling, hypnotic psychedelia–mood rock that pays tribute to influences like the Velvet Underground (initially, the…
Derrick Stewart, aka Fatlip, is not about to explode any myths. The members of his group, the Pharcyde, have a reputation as crazy, good-humored hip-hop stoners, and Fatlip–in conversation, at least–fits this description to a T. As he puts it, “What was your question? What was I talking about?” Actually,…
Saxophonist Roy Nathanson, co-founder of the Jazz Passengers, is frequently described as quirky–and he’s earned the term the old-fashioned way. According to Nathanson’s partner, trombonist Curtis Fowlkes, “You look up `quirky’ in the dictionary, and Roy’s picture is next to it.” As judged by the music they make together, Fowlkes…
Wallace Roney, Saturday, August 12, at the Bluebird Theater, came to the public’s attention in 1981. Then a 21-year-old Berklee student with no trumpet of his own, he auditioned for Wynton Marsalis’s old seat in Art Blakey’s Jazz Messengers, armed with little more than ambition and talent. But that was…
The songs played by Kandombe, a Boulder-based percussion ensemble, represent musical freedom in its truest sense. The performers believe their music cannot be contained or categorized, because the sounds they make are not modeled after various styles or genres. Rather, they derive from the basic rhythms of life. “We put…
