Live Review: M.A.N.D.Y. at Beta

See the slide show M.A.N.D.Y. October 17, 2008 Beta Better than: Most acts with that much superfluous punctuation M.A.N.D.Y.’s entry in the Fabric series has been spending a lot of time on my speakers and headphones, and each listen reveals new reasons to like their style. That can be a…

Live Review: Conor Oberst and the Mystic Valley Band at the Ogden

Conor Oberst and the Mystic Valley Band, with All Smiles and The Like Thursday, October 16, 2008 Ogden Theatre, Denver Better than: Any mystic valley I’ve ever wandered through. First things first: Conor Oberst would like his ring back. The poet laureate of Omaha, Oberst (formerly Bright Eyes) was in…

Breezy Porticos fans, behold: Liberry

Photo: James Bludworth Attention distraught, inconsolable fans of the recently departed Breezy Porticos: We’ve just been handed some late-breaking news that might inspire you to stop playing rush hour Frogger in the middle of I-25. It seems the outfit’s erstwhile frontman Andy Falconetti has already begun work on a post-Breezy…

Chuck Potashner debuts new songs

Photo: Sarah Cass Hey, everybody, Chuck Potashner has posted a pair of new tracks on his MySpace page! You might know Chuck from his time in teamAWESOME! — although if you ask us, dude’s just plain awesome, team or no team. While both tunes he’s posted are pretty swell, “Slightly…

Live Review: Magnetic Fields at Boulder Theater

Magnetic Fields Boulder Theater Wednesday, October 15, 2008 Better Than: Watching Chihuahuas act in films. While Magnetic Fields’ latest album, Distortion, is coated in layers of reverb drenched Jesus & Mary Chain-inspired fuzz, there was none of that at last night’s show. It was a stripped down acoustic affair, and…

Live Review: Stereolab at Gothic Theatre

Photo: Jon Solomon Le Loup Stereolab, Monade and Le Loup Tuesday, October 14, 2008 The Gothic Theatre Better Than: Seeing just one Laetitia Sadier project. For whatever reason, my expectations tend to be a lot lower for out of town opening acts touring with national and international bands. Luckily, Le…

Thursdays are the wheel deal at Shag Lounge

When I was in middle school, I had a Vision Gator skateboard named after Mark “Gator” Rogowski, a superstar skater in the ’80s. The last time I was on that board, I was holding on to the bumper of my friend’s car when I hit a patch of Seventh Avenue…

No High Fives to Bullshit at Old Curtis Street

On first blush, the music these guys make sounds a whole lot like a poppier version of the melodic hardcore we’ve heard in this town for the past decade and a half-plus. One song into the band’s set, though, it dawns on you that what you’re hearing is not just…

Colder Than Fargo

Colder Than Fargo has never released a less than excellent record, and Gentlemen Please! is no exception. Displaying a notable level of maturity, the album is marked by songs with surprising depth and inventive textures. Deftly sidestepping subgenres, Fargo tastefully borrows from its influences — particularly on tracks such as…

pH-10

Robert Betts, aka Recone Helmut, who’s presently splitting his time between Denver and Brooklyn, has been fiddling about with electronics since the ’90s, first with LD-50 and then under the pH-10 banner. But on largely instrumental numbers such as “Serious Delirium,” his formula — heavy grooves interspersed with vocal samples…

Oasis

Here’s a dirty little critical secret: Many times when reviewers describe an album as being a veteran band’s best since fill-in-the-blank, they remember zilch about the discs that appeared in between. That’s certainly the case for me when it comes to Oasis, which has been stylistically consistent to the point…

Larytta

You’d be justified in being hostile toward all releases bearing the words “electro-pop” in their description, just for the sheer enormity of hacks working under a genre title that means basically “got ripped in my bedroom and decided I could be an Internet sensation.” But Larytta works the same musical…

Conor Oberst and the Mystic Valley Band

Conor Oberst has always been a solo artist despite his reliance upon a handle more suited to a band: Bright Eyes. For that reason, his decision to release his latest album under his name (and to use his moniker for its title as well) doesn’t mean he’s stripping away the…

Kaki King

When her songs first reached the public ear, Kaki King, who shares this bill with the Mountain Goats, seemed on the road to becoming that rarest of birds: a female guitar virtuoso. Albums such as 2004’s Legs to Make Us Longer are built upon complex, primarily acoustic instrumentals in which…

Matthew Sweet

Early on, Matthew Sweet had the good fortune to team up with R.E.M.’s Michael Stipe, as well as with his sister Lynda’s band, Oh-OK. But being a sideman wasn’t really Sweet’s destiny. 1991’s Girlfriend, released at the height of the alt-rock era, made a splash with its superb songwriting, which…

Sourvein

A North Carolina-based outfit intent on keeping the Southern sludge-doom sound of Eyehategod et al. alive, Sourvein hasn’t released a full-length CD since 2002’s The Will to Mangle, but despite revolving-door lineup changes (vocalist Troy Medlin is the only original member left), the band has managed to record three four-song…

Mini Reviews

Cheap Trick, Budokan! 30th Anniversary Edition (Epic). Cheap Trick has a few better-than-average songs. Without this legendary live album, though, the act would mostly be thought of in the context of those “Where are they now?” programs. With never-released video footage and new band interviews, this anniversary set finally provides…

M.A.N.D.Y. at Beta

M.A.N.D.Y. is the somewhat unwieldy name (what’s with all the periods, guys?) of DJ/production duo Patrick Bodmer and Philipp Jung. These German dance mavens are close friends and frequent collaborators with Booka Shade, an act with a similar sound: bright, perky, techno-inflected house workouts with a tendency to incorporate strange…

The Black Angels are psyched about the 13th Floor Elevators

The Black Angels are a trip to see in concert. The last time they played the Bluebird, they opened with “Manipulation” — a twisted love song from their 2006 cult hit Passover — in the cover of almost total darkness, with lead singer Alex Maas stalking the stage like a…