Here’s a music-journalism secret: Interviewing performers in their second language can be more enlightening than quizzing them in their first. Why? Folks familiar with English, say, are generally adept at using the idiom to skirt subjects, spin responses or appear frank without truly unwrapping their souls in the slightest. In…
I like to find a way to pull the audience into the creative process, whether they want to go or not,” says Dr. Gregory T.S. Walker, chuckling slyly. A six-and-a-half-foot-tall violinist/composer who won’t hesitate to drench folks in the orchestra seats with a water cannon in order to include them…
Rhode Island was founded as a dumping ground for criminals, no-goods, drunks and lunatics exiled from tony enclaves like Boston and New York. Like everything else, its musical legacy has been difficult to define. What the heck is Rhode Island music, anyway? The Blackstone Valley Sinners hope to include “country”…
The folks at Owned & Operated, the Fort Collins label founded in 1997 by members of the punk band All, say their Upland subsidiary specializes in “roots rock.” But this description fits the latest recording by Grandpa’s Ghost — based in teensy Pocahontas, Illinois — like the glove into which…
Marble Orchard contains many of the elements that make up some of Denver’s finest minor-chord melancholy roots-rock bands: the warbling vocals, the haunting odes and a sincerity of delivery. Who knew that the Queen City of the Plains would inspire so many dark, chamber-style, country-flavored acts? Unfortunately, this band’s traditional…
Denver-based tenor saxophonist Keith Oxman has recorded four previous CDs for Tom Burns’s plucky, perennially underfunded Capri label, based in Bailey. But Brain Storm, Oxman’s first release in three years, signals perhaps the biggest leap forward for a player, composer and teacher (he directs East High School’s student big band)…
Sporting titles such as “Purity in Pornography,” “Waiting for the Hearse,” and “My Gorgeous Façade,” Omnivoyeur resurrects ’80s synth-driven goth for a subculture that seems refreshingly indifferent to the notion that the style may never rise from the ashes. Vocalist Joe Pazo’s tongue is too busy stimulating other body parts…
Although the patient isn’t comatose, its condition isn’t particularly stable, either. At a state-of-the-union-style meeting on Sunday, January 19, Colorado Music Association president Tommy Nahulu and the five other members of COMA’s board of directors took the stage at the Soiled Dove to respond to questions and criticism and defend…
Def Jux Records now delivers what Rawkus did in the late ’90s: daring, experimental, raw hip-hop. Anchored by label founder El-P’s futuristic vision of symphonic paranoia, Def Jux has introduced rap audiences to an impressive crew of East Coast-based artists, including Aesop Rock and Cannibal Ox. Four-time Boston Music Awards…
Joseph Brenna and his fans have much to celebrate on Saturday, January 25, when the guitarist performs at Nederland’s Acoustic Cafe. The most obvious is the release of Inventing Time, an instrumental recording he co-wrote and produced with Rob Gordon, founder of the Boulder-based indie label What Are Records?. At…
Cody ChesnuTT is an anomaly, but he shouldn’t be: He plays rock and roll and can righteously wail on a guitar, one of many such artists to arise since black musicians essentially invented the genre more than fifty years ago. Yet when the Atlanta-bred, Los Angeles-based ChesnuTT steps on stage…
Looking into the glazed eyes of Herman “Preacherman” Wynter, you can sense a life marked by both joy and hardship. In a lilting patois that is both simple, direct and inflected with rural wisdom, he relates tales of his early years, when he lived among ten brothers and sisters in…
The hiatus is over. The world is safe for trampoline hijinks and glow-stick wars. The mighty Phish, once burned out and rudderless, has returned. And what’s a rejuvenated jam band to do but jam hard for a winding, bending 78 minutes? The twelve expansive songs on Round Room, the group’s…
The late Julian “Cannonball” Adderley’s near-legendary album Radio Nights, recorded live at New York’s old Half Note in 1967 and 1968 for radio broadcast, has long been hoarded by vinyl collectors. Now producer Joel Dorn has transferred this gem to CD on his new Hyena label. The nightclub mikes are…
Careers in music are seldom predictable, but Ethan Buckler’s has been weirder than most. He first kicked up dust among underground types in the late ’80s as a member of Slint, a Louisville, Kentucky, art-noise outfit whose influence continues to linger. The band broke up around ten years ago, but…
Common has grown from a boy to a man since the release of Can I Borrow a Dollar?, his 1992 debut issued under the name Common Sense. This evolution has been reflected heavily in his music. Still fresh off the success of 2000’s Like Water for Chocolate, he returns with…
The well-acclaimed Chi-town collective Liquid Soul boasts multiple cap feathers, such as jamming at Bill Clinton’s inaugural parade, kicking out the groove at Dennis Rodman’s birthday party and hosting vocalist Simone, daughter of longtime jazz/soul crooner Nina Simone, on its last Grammy nominated effort, Here’s the Deal. The musically eclectic…
Like Don Quixote, brothers Jay and Phil Bianchi are trying to create their own world. As the brains behind Quixote’s True Blue, Sancho’s Broken Arrow and Dulcinea’s 100th Monkey, they’ve succeeded in making Denver a destination city for touring jam bands — in the process threatening San Francisco’s title as…
A sort of creepy troubadour who’s steeped in melancholia and art-folk tradition, Joseph Arthur, Wednesday, January 22, at the Fox Theatre, sings songs that are personal and also incredibly murky. With lines like “You’re a rapist and your only victim/You’re a fact and you’re fiction” (from “History,” off of 2000’s…
Skaters in the ’80s thrashed to Jodie Foster’s Army; today, they have Scott Baio Army. This punk foursome is splitting an album with fellow Denver group Line of Descent; the two will commemorate the release by co-headlining a show on Saturday, January 18, at Monkey Mania, with Angels Never Answer…
All journalists and critics are ants at the picnic,” Henry Rollins declares from the offices of his vanity publishing company, 2.13.61, in Los Angeles. “I’m not curious to see what you write about me. Not curious about any review about anything I do. I don’t care. And I defy you…
Over the phone lines between Denver and Nashville, a distinct buzz can be heard — and it’s got nothing to do with faulty fiber optics. “I’m pretty out of it this morning,” says Kerry McDonald, singer and guitarist of the Mighty Rime, from his home studio on the outskirts of…
