Since Holdship’s 2011 article, there has been some shift in the perception of the word “pop,” particularly from serious music fans. There was a time when it was considered the lowest of the low, thanks in no small part to the likes of N*Sync and the Spice Girls. The 1990s was a terrible time for pop music. But this decade has seen artists like Lorde and even St. Vincent reclaim it.
Those who get Gaga understand that she’s a true artist. She started learning piano at age four, played open mics as a teenager and, in the mid-2000’s, started dabbling in avant-garde electronic dance music with performance artist Lady Starlight, blossoming in the New York underground. A slight veer in a different direction, and she could have been Peaches.
Denver musicians find inspiration in Gaga. MC Koo Qua wrote to us, “I like Gaga. Very creative. I look at her as the female rock star that makes pop music. Gaga is kool in my music book.”
From her breathtakingly unconventional outfits to her mega stage show, Gaga takes the visual side of her art seriously. She’s vocal in her support of the LGBTQ community (which has earned her nonsensical criticism from those who say she’s exploiting them), and she was eerily excellent acting on American Horror Story: Hotel.
And here’s the best thing: It works to her advantage that she still has haters. She thrives on it. That adversarial rub will generate some of her best work. And the more metal fans that get itchy when she sings with Metallica, the more indie kids mad that she’s at Coachella, the better. It’ll just drive her on.