Crossroads Theater at Five Points
Kurt Lewis opened this small, comfortable performing space with Bold Girls, a fine play about Ireland's Troubles directed by Anthony Powell. Now Paragon Theatre has made the place its permanent home. A welcome addition to Five Points, a historic part of Denver, the theater will also be used for music, poetry readings and classes. Everyone knows that crossroads are magical places, and Lewis intends to create a vibrant center here, featuring a fertile fusion of cultures and art forms.
Moe's Original Bar-B-Que
Cassandra Kotnik
When he bought the nearby Sport Bowl Lanes & Billiards, Gothic Theatre owner Steve Schalk wanted to turn the spot into a live music/bowling center with a sci-fi theme, and even thought about having the Millennium Falcon crashing into the front of the place. While he didn't end up going quite that far, the iconic Star Wars spacecraft became the inspiration for this spot, and space-themed murals lining one of the walls do give it the look of a spaceship. The venue itself is out of this world: One side is a live-music club that brings in local and national acts and features a state-of-the-art sound system (it had to live up to the Gothic's standards, after all), while the other side houses the bowling alley, pinball machines and pool tables.
Black Actors Guild/Atlas Theater
Since it opened in the lower level of a large church complex, Brooks Center Arts has become a haven for some of the town's less volume-driven acts looking for a place other than a bar to share their music. The venue, organized primarily by filmmaker/songwriter Laura Goldhamer, is like someone's large living room, complete with tea and other goodies sold at a discount in the back and a true all-ages policy throughout. Which means that people of all persuasions, and all ages, can come here for a special evening of music and art.
Does Drag the River still exist — and if so, in what form? That's a difficult question to answer. The band allegedly broke up in 2007, only to reunite in order to promote You Can't Live This Way, a first-rate CD issued by the Suburban Home imprint. Afterward, the players drifted back into the shadows, but a bio included on the outfit's still-active MySpace page concludes with the phrase "It never ends." That's good news, if true. If not, it's a real Drag.
The one-man band is not a new thing. Not even in Denver. Reverend Dead Eye was once, and is again, a one-man band providing percussion, guitar, harmonica, guitar and vocals. Rather than inspired gospel blues, however, Dugout Canoe produces a rougher, much more experimental indie pop that defies easy categorization, since it incorporates elements of drone and folk as well as collage sound. This one-of-a-kind one-man band doesn't really fit into any scene and plays only warehouse spaces and house shows, but he's clearly a leading light showing the way to something new.
Littles Paia is known for his always-fascinating blend of folk and psychedelia — so it came as a surprise when he announced that at his show last summer at Rhinoceropolis, he would cover Nevermind in its entirety. Turns out Littles Paia (actually Adam Baumgartner, also of Bad Weather California and Navy Girls) grew up listening to early-'90s alt-rock and long ago taught himself every song from Nirvana's commercial breakthrough. Donning a headlight to trip his wah pedal, he ripped through the classic record in under half an hour. Was it a per-note-perfect performance? No, but it perfectly captured the unfiltered, splintery spirit of Nirvana.

Best One-Off That Deserves to Become a Permanent Fixture

Stand By Your Band

What if members of Born in the Flood joined forces with musicians from Hot IQs and other local bands to interpret the classic soundtrack from Chariots of Fire? The result would be incredible. We know, because we've seen it happen. The premise of Stand By Your Band — randomly mixing up members of Denver's best local acts into new, temporary "supergroups" — is intriguing, and the results are often brilliant, as the ephemeral collaborations interpret their favorite songs in ways alternately hilarious and heartfelt. Side projects and guest slots are always a good way to spark inspiration, and the lighthearted, circle-of-friends vibe of this event makes it a low-risk, high-reward effort for bands and fans alike.
Buying tickets for Swallow Hill shows has become downright fun since the folk- and acoustic-music haven instigated this selective web-radio option in February. Featuring aural previews of premium cuts by upcoming musical acts, it gives the discerning concert-goer a chance to test the milk before buying the cow. Plus, it's just a swell listen.
La Boheme Gentlemen's Cabaret
The slutty schoolgirl has got to be the most overworked, cliched sexual fantasy of all time — not to mention the most overused Halloween costume ever. Still, there's a reason the archetype endures, perhaps because it's just so much fun to don the lowest-cut crisp white shirt you can find, along with the shortest plaid skirt available, and start gathering looks from all the oglers. Last year's School Girls Gone Bad party was the third annual at La Bohème and featured DJ sets and free entry for women dressed in their naughty-schoolgirl best. That's reason enough to break out the uniform once again, but the parties also feature such staples of high-school fantasy as the sexy school nurse, cheerleaders and hot jocks, and the older-woman inspiration behind Van Halen's "Hot for Teacher."
How We May Know Him is a brain-tease of a play that acts on your cerebral cortex, not your guts. It's a story about four women: Val, a Christian zealot; Simone, a new-agey television host; Nicola, a soldier of fortune; and Nicola's partner, the sometimes waspish but usually lost and bemused Wren. The action is surreal and much of the meaning metaphoric — but that doesn't mean that Ellen K. Graham's script is murky or hard to follow. A series of short, sharp, freaky scenes make up the action, and in Paragon Theatre's production, there were all kinds of things to engage your intellect and attention.

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