Best Way for Drummers to Get Their Groove On 2008 | Po' Boy Drums | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
Navigation

Best Way for Drummers to Get Their Groove On

Po' Boy Drums

Driven by a desire to offer top-notch drum kits at an affordable price, Tony Chadwick founded Po' Boy Drums, a Littleton company that offers drums manufactured in the same plants as the better-known and more established brands. The prices may be lower, but Chadwick doesn't take shorcuts; the drums are made from the finest woods and undergo a special lamination process to keep the shells from warping or cracking. And Chadwick backs his product with a thirty-day satisfaction guarantee. No wonder we keep seeing more and more local drummers playing these kits.
There's no better way to enjoy a cheesy, cliched sci-fi "classic" than getting drunk with a few smart-ass friends and piling on the snarky comments and vulgar innuendo as it plays. That's why we're lucky to have Mile High Sci Fi, a group of hilarious local comedians who've picked up the torch of movie-riffing pioneers Mystery Science Theater 3000 and run with it. Free of the constraints of television, they can be as nasty as they want to be, and they make the most of the opportunity. Every month they transform another cornball classic into a platform for biting sarcasm and boob jokes — and they send girls around to sell beer while they do it. Once you've watched Barbarella with a frosty brew in hand while the MHSF crew cracks wise, you'll never want to watch it in the privacy of your home again.
The earliest movies were Westerns, probably because there's something so archetypal and striking about the idea of a wild frontier with no boundaries — legal, spiritual or physical. It was the same anything-can-happen spirit that brought people to Buffalo Bill's Wild West show, which is why the Buffalo Bill Museum hosted this display of film memorabilia, including more than forty original movie posters, artifacts (a shirt worn by John Wayne, as well as Slim Pickens's cowboy hat) and screenings of such films as 1909's The Life of Buffalo Bill in 3 Reels. It was a fantastic introduction to the still-popular movie genre. Just think: If there hadn't been a Buffalo Bill, there might never have been a Shane.
Freelance curator Rose Fredrick came up with the idea of putting classic nineteenth- and twentieth-century Colorado landscapes together with contemporary ones, and the result was Masterpieces of Colorado Landscape, a traveling show that stopped at Foothills Art Center in Golden last spring and is now on view in a somewhat retooled version at the Denver Public Library. The show highlights the ongoing attraction of the Rockies to several generations of artists and demonstrates their diversity with the wide range of styles they used to capture our beloved scenery.
Artfully blending contemporary concepts with Western images is a popular pursuit for many Colorado artists, though few have been doing it longer or more successfully than Boulder artist Don Coen. The magnificent Don Coen took over the entire first floor of the Havu gallery and featured the artist's depictions of ranch animals, which are often monumental in size and hyperrealist in style — sort of like pop art with a rural twist. In this way, Coen avoids the sentimentality that characterizes most of the Cowboy-and-Indian junk that typically makes up new art about the American West.
Part of Lonnie Hanzon's charm is in the way the visual designer seems to reappear like a flesh-and-blood Dumbledore — here and there, from time to time, fully wound — holding court over a magical world of his own invention. He's created spectacular Parade of Lights floats, over-the-top Christmas displays in Hong Kong and the whimsical "Evolution of the Ball" sculpture at Coors Field, but Hanzon's recent appointment as house artist and creative director at the Museum of Outdoor Arts puts the pointed cap squarely atop his serendipitous career. In addition to bringing back MOA's winter Ice + Snow holiday installation this year, the erstwhile Merlin will have his own show at the museum in October, and his "maximalist" style will help drive the renovated institution's visual direction when it reopens in April.
Trained since the age of six in the art of classical Chinese guzheng music (the guzheng is a plucked zither with an ancient history), this virtuoso Beijinger now living in Boulder works with one foot firmly planted in tradition. The other foot has walked off into a brave new world of contemporary fusion, a wide-open genre that Wu Fei fell into during her stint at the Center for Contemporary Music at Mills College. In the years since, she's worked all over the world with the likes of Fred Frith, John Zorn, Elliott Sharp, Lukas Ligeti and other celebrated experimental/new-music cronies. She'll travel back to China in August as guest of the month-long Beijing Olympics Performance Series, and she also has invitations to play in Dublin and Sardinia. Let's enjoy her while we can; Wu Fei plans to move to Berlin in the fall.

Best Of Denver®

Best Of