Mark Manger

From the moment Jesse Morreale bought the old First Avenue Hotel, he envisioned something special for the big space on the first floor that faces both Broadway and First Avenue. And he created it with El Diablo, a hellaciously clever tequila joint and Mexican restaurant. (Sean Yontz is in charge of the kitchen.) To one side are booths beneath Mexican-style murals lit by salvaged, red glass lamps, to the other tables flanking First Avenue, and at the edges are a handful of dark corners, suitable for all sorts of debauchery. But the center of the action, without a doubt, is the massive bar in the center of the space, which is always flanked with drinkers. That bar pours margaritas that run the flavor gamut from sweet to spicy, as well as Mexican beer and dozens of varieties of tequila and mezcal. And, as at any great bar, an air of naughty sexiness hangs over the entire scene, making anything feel possible. The devil you say!

Sorting through the city's java joints is a little like finding your foothold in a foreign city — and like foreign cities, coffee shops are all about personality. Rooster and Moon mirrors ours: Buzzy, quirky, allegedly spooked by ghosts, artistic and community-driven, this charismatic spot celebrates our obsession with octane by pouring organic Allegro fuel that's always piping hot and served with a genuine smile by animated baristas who often stop at your table with a carafe of fresh brew to refill your cup. It's a communal gathering place where caffeine-energized bunnies lap up their cinnamon-vanilla lattes, break out their laptops to troll cyberspace, and nosh on way, way above-average grub — most notably the holy-god-is-this-good banana pudding. Added bonus: Late afternoon into night, Rooster and Moon morphs into a bar with boozy cocktails — a ploy, of course, to make sure your morning hangover requires a heavy jolt of espresso.

Veteran Denver restaurateurs Beth Gruitch and Jennifer Jasiniski started with a clear vision for Euclid Hall: an American tavern, an unassuming place where diners could gather for beers and bar food, elevated well above bar level by making everything possible — sausages, mustards, pickles — in-house. With that articulate frame, they outdid themselves in every way imaginable. The space itself is beautiful, with history preserved in the brick walls and shiny wood floors, but washed clean of any memories of the grimy spots that inhabited the address before. The beer list is full of rare and stellar selections, and the contemporary cocktails are clever. But what makes Euclid Hall such an outstanding addition to the Denver dining scene is the menu: plump sausages in taut casings; a teetering stack of fried chicken and griddled sourdough waffles; a variety of poutines, hand-cut fries laden with gravy; cheese curds; and accoutrements ranging from mushrooms to foie gras. Be still, our hearts.

Molly Martin

Real New York-style pizza has a few rules. The crust must be thin but not cracker-like — crispy along the edges, but with some give in the center to allow the slices to be folded. That crust should be mounted with tomato sauce, spread thinly across the base so that the white of the dough is still visible beneath. The sauce is then topped with just enough mozzarella to cover it completely, but never in excess; one layer of cheese suffices. Then there's the true test: All ingredients must be employed with enough restraint that you can easily eat a massive slice — or an entire pie. Big Bill's New York Pizza makes pies that easily pass all tests: They have an excellent crispness-to-give proportion in the crust, which is coated with a zippy, smooth tomato sauce with plenty of oregano and a fine layer of freshly shredded mozzarella. And when the pizza arrives at the table, hot enough to burn the roof of your mouth, there's often a lake of grease pooling in the middle — which is really how you know the kitchen here is doing things right.

When Frank Bonnano opened Bones in late 2008, he took traditional Japanese noodle bowls and infused them with French touches, adding confit, pork belly and suckling pig to a lineup built around ramen, udon and soba. And while his dishes are a far cry from what you'd find over in Japan, they're undeniably good. The lobster ramen is ethereal, a decadent, delicate broth filled with tangles of curly ramen and fat spring peas. The pork udon is even better: The broth is sticky with fat, and thick hunks of pork belly swim against big buckwheat noodles, soaking up the gooey yolk of a perfectly poached egg that floats above the rest.

Best Offshoot of a Homegrown Burrito Haven

Bubba Chinos

Stephen Cummings

More than forty years ago, Stella Cordova took over the Chubby Burger Drive-In on West 38th Avenue and started featuring the green chile she'd learned to make when she was a kid growing up in Colorado. That sauce — thick, savory and laced with enough spice to produce a slow, sweat-inducing burn — soon became iconic. Before she passed away two years ago, she handed that chile recipe down to several of her grandchildren, one of whom was Leonard Cordova. And though Leonard is now estranged from the rest of the Cordova family, he swears he's using his grandmother's original recipe at each of the spots in his rapidly expanding chain, using it to smother chile-cheese fries, burritos and Mexican hamburgers. In doing so, he's channeling his grandmother — but for a decidedly different generation.

By last summer, the Recovery Room was a neighborhood joint in need of a nip and tuck — which is exactly what it got after Leigh Jones, the proprietress of Horseshoe Lounge, Jonesy's EatBar and the new Stingray, took control of the space. Today the boxy little bar is one of the city's most glorious watering holes. Antique brass chandeliers illuminate the rustically romantic space, which is filled with cherry-red stools, Victorian-era upholstered banquettes, an ornate tin ceiling, a pinball machine and one of Denver's best jukeboxes. And that's just setting the stage: Add convivial tenders, good bar grub and a swell beer, wine and spirits list, plus a nekkid pic of Burt Reynolds in his younger years, and you've got everything you could want from a bar...plus a whole lot more.

Cassandra Kotnik

Paris on the Platte has been caffeinating crowds since 1986, and it shows no signs of slowing down. Over the past 25 years, the neighborhood has certainly picked up: This area in the Central Platte Valley used to be a no-man's-land; today, families, friends and telecommuters flock to Paris, where they suck back bottomless cups of joe, lattes and crowbars — a quad shot of espresso with chocolate — while ordering from a menu of sandwiches, snacks and desserts. Some people come early, but most stay late, since the place is open until 1 a.m. most nights and 3 a.m. on Fridays and Saturdays. Besides the rising property values, the main difference between now and 1986? The lack of tobacco. Paris was one of the last bastions of indoor smoking in Denver, and though it still sells packs of cigarettes, those wanting to light up are now relegated to the patios.

Nothing's worse than getting all fired up for a decadent, wine-soaked meal, only to discover that the restaurant's wine list is a total snooze. That's why we woke up and took notice last fall when ChoLon Modern Asian Bistro opened. The array of sixty-plus modern selections (including eight sake offerings) might make you scratch your head initially (Côtes-du-Rhône? Chilean sauvignon gris?). But chef Lon Symensma and his wine director, Chris Todd, make sure that each wine on the list is a perfect foil for one of ChoLon's tongue-tingling flavor combinations. The only thing that makes fans of both food and the grape happier than a stellar wine-and-dine experience is a stellar wine-and-dine experience at decent prices, and at ChoLon, you can score a kickass bottle for an average price of $48. We'll drink to that.

Ototo Food and Wine Bar sources its oysters seasonally, ordering in the freshest specimens from whatever location has them. But no matter the source or the variety, these oysters come to the table as cold and fresh as if they've just been plucked from a tide pool. After they're drizzled with astringent sherry vinaigrette or biting jalapeño ponzu, the slick, fleshy bodies tip out of glittering shells, leaving the delicate essence of the sea — like the taste of the air on a rainy coast — on the teeth and tongue. Oysters like this should be eaten by the dozen, ideally with just a bottle of white wine to wash them down. And sitting at Ototo's bar, watching Pearl Street through its storefront windows, that's an entirely satisfying way to eat dinner.

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