Best Choreography 2014 | Nick Sugar | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
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Hair is a musical that doesn't have very well-defined dance numbers. Yes, there are big songs and dances, but at the Town Hall Arts Center, the entire production was a swaying, shimmying, surging celebration, with action and music so intertwined that director/choreographer Nick Sugar must have found both his roles merging into one. His fine cast brought Hair into the present while maintaining the ethos of the hippie '60s — easy sex, casual nudity, idealistic ideas and rebellious romances between black and white that were highly unusual in those racially tense years. Sugar's smart, sexy choreography, along with the exuberant musical direction of Donna Kolpan Debreceni, made for a transcendent evening.

A monthly club night that's been going strong for close to five years, Mile High Soul Club is the place where Northern Soul and Motown fanatics can share the dance floor with folks just looking to get down to the throwback sound. DJs Dogboy, Tyler Jacobson and Steve Cervantes rotate on the ones and twos, curating sets of well-known favorites by Aretha Franklin and the Five Du-Tones and more obscure tracks by the likes of the Showstoppers and Rita & the Tiaras. The DJ trio has recently started booking live acts under the Mile High Soul Club name, but the focus is still on providing the right sonic atmosphere for busting out the bird, the pony and the watusi.

The rooftop patio on the building that houses Bar Standard and Milk Bar is rarely open for business. But when it is, it makes for one hell of a party pad. After climbing up the metal staircase to the top of the building, you'll find a tiered space with ample seating and a large shade to protect you from the sun, as well as a sound system that carries music to every corner. But best of all is the view: an unobstructed panorama of the Rocky Mountains that's particularly lovely during the summertime. On warm Sundays, the patio plays host to an array of local DJs, who wind down the weekend with gorgeous music. And the well-stocked rooftop bar almost always has drink specials on offer.

The rooftop at Vinyl is easily the coolest place in town to light up and party down. The spacious open patio includes fire pits surrounded by cushy seating, breathtaking views of the downtown skyline and Front Range, and bar service featuring cheap drinks and sexy bartenders. In this rarefied setting, you're sure to find kindred souls — or at least someone with a spare lighter. But even if you don't indulge, Vinyl's rooftop is one smokin' place to be.

Eric Gruneisen

Good music deserves good drinks to go along with it, but not all venues offer great cocktails. Compared to the watery whiskeys and eight-dollar Heinekens found at many clubs, the Soiled Dove Underground is a booze-lover's oasis. Along with the venue's classic Colorado cocktails, all made with spirits from local distilleries, there's a beer roster heavy with local craft beers — and it's a good bet you won't find another music venue in town where you can buy a bottle of O'Lillo Super Tuscan wine. Fancy-pants drinks not your style? The bar also sells PBR tallboys and pours its well drinks nice and strong.

There's almost nothing as funny as watching people behave really badly — and though Yasmina Reza's God of Carnage doesn't have a lot of depth, when the playwright lets loose the force of her ferocious, unforgiving intelligence, there's definitely a lot of bad behavior. The two couples involved, Michael and Veronica and Alan and Annette, exhibit no real feelings; their rages don't make sense, their quarrels are meaningless, affection is non-existent. These people are like human bumper cars set loose on a track — and in the Curious Theatre production, with its elegant set and first-rate cast, their collisions were hilarious.

Eric Gruneisen

Those looking for laughs without a pesky two-drink minimum can find solace on the last Sunday of every month, when the glamorous Lannie's Clocktower Cabaret hosts Propaganda! At Matt Monroe's free comedy night, you can catch priceless sets by such local favorites as Adam Cayton-Holland and Ben Kronberg, as well as big touring names like Sean Patton and Beth Stelling. As a bonus, street parking is always free on Sundays — and Sexy Pizza even provides free-slice cards. This night comes just once a month, but you can laugh all the way to the bank in the meantime.

Prince doesn't obey regular human rules. Last year, despite his arena-filling popularity, he announced that he would do a tour of small venues across the country, playing multi-night runs in each city. In Denver, that meant a three-night, six-show residency at the Ogden Theatre. The kicker was the $250 ticket price. But anyone who ponied up the money got to spend some relatively intimate time with the Purple One and his new band, the all-female 3rd Eye Girl. Drawing from the considerable breadth of his career, Prince treated audiences to alternate versions of classic songs in addition to more faithful renditions.

The prime challenge for a representational artist working in the contemporary-art arena is to come up with something that looks new. And since artists have been mining realism since the days of the cave painters, that's not so easy to do...which made the handsome and tastefully installed Roots — New Drawings by Heidi Jung a show to remember. Jung zeroed in on the roots and shafts of plants, which she rendered with staggering accuracy in charcoal and ink on architectural vellum. The vellum was laid on birch panels, making frames unnecessary. Jung's drawing style is elegant, with the tangled complexity of the roots and shafts set against the bareness of the surrounding blank vellum in just the right combination. Despite being examples of straightforward realism, depicting dead plants, no less, Jung's drawings somehow looked utterly fresh.

MCA Denver

Canadian-born Denver artist Ian Fisher has an interesting strategy for picture-making: Create photo-realist paintings of the sky unmoored from the landscape. For Critical Focus: Ian Fisher — which is still open — MCA curator Nora Burnett Abrams took an in-depth look at the artist's recent cloud paintings. Despite Fisher's careful realism, there's an undeniable abstract quality to the compositions, and at times they seem to almost melt into color-field territory. Though each depicts the same subject, every canvas is different and has its own unique palette — just like the clouds.

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