Carlos Frésquez was part of this city's burgeoning Chicano artists' movement of the '70s and '80s, creating works that specifically referred to the Mexican-American experience. In the '90s, he started to conflate the dreams of Aztlán with postmodernism, and his paintings grew into installations, setting the stage for his latest triumph, "Un Corrido Para la Gente." This funky piece, the title of which means "A Ballad for the People," consists of a giant guitar, a huge bicycle wheel topped by a crown, and a string of papel picado banners running between the guitar and a monumental shovel handle. Installed this past year at the intersection of Morrison Road and Sheridan Boulevard, it serves as an entry marker to the Westwood neighborhood, and its imagery fits the surrounding Mercado district like a glove.