Best Art Gallery Where Kids Are Treated Like People 2017 | Michael Warren Contemporary | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
Courtesy Michael Warren Contemporary

Take a tour through Denver's art galleries with a little one and you'll realize just how not-child-friendly the commercial art world can be. And we're not talking content, either. While most gallery staffers will gingerly thank a parent for teaching the next generation how to be art consumers, they seem afraid (somewhat rightly) that the children will destroy the place. But at Michael Warren Contemporary, owner Michael Warren not only happily greets children, he lets them roam the gallery and occasionally offers age-appropriate instruction on how to look at a painting or understand an artist's intentions. He appears genuinely excited that kids are in his space, and while many of his peers talk a good game about cultivating the next generation of art connoisseurs, he's really doing it — and making the process thoroughly enjoyable for both parents and children.

Birdseed Collective

Serving as headquarters for the Birdseed Collective, Westword MasterMind Anthony Garcia Sr.'s nonprofit arts and community-building organization, Alto is a space with heart, bringing known and unknown artists to the forefront with imaginative and adventurous exhibits, much in the way more established yet under-the-radar galleries like Dateline and Leon do. Since opening Alto a little over a year ago in the Tennyson Street Cultural District, curators Garcia and Raymundo Muñoz of 1/1 Magazine have been bringing in national street artists (including Miami's Luis Valle) as well as showcasing local talent; they've allowed Orchid Z3ro to envelop the space in video projections, along with other innovative shows. Alto means "high" in Spanish, which is appropriate for a gallery that's clearly going places.

Infuse Gallery is based in Longmont, but its reach is global; its mission as a nonprofit is to serve organizations around the world, empowering at-risk artists. The brainchild of entrepreneur and artist Kyra Coates, Infuse invites artists both established and emerging to sell work on its website. A percentage of every sale gives back to the artist's nonprofit of choice, including such Infuse partners as RedLine's Reach Studio for the homeless, the Blossomy Project for young women and girls caught up in human trafficking in India, the victim-empowerment organization PAVE, and many more. In turn, artists served by those nonprofits can also market their work on the site. No need to say that this concept is a win/win — but we'll say it anyway. Coates has plans to open a physical gallery space later this year in Denver, which means we'll win big, too.

Wonderbound, which used to be known as Ballet Nouveau, has been defying traditional assumptions about what dance companies should do: recycle fairy tales, stick to proven works and dance to classical music only. Under the leadership of Garrett Ammon and Dawn Fay, the group has collaborated with contemporary musicians and artists, expanding its audience and also the boundaries of dance. This season, the dancers will be performing alongside members of the Flobots, who will perform their new album, as well as dancing to music from such local acts as Chimney Choir, the Ian Cooke Band, Jesse Manley, DeVotchKa's Tom Hagerman, and even the Colorado Symphony. Passionate about arts education, the company shares its work with more than 25,000 community members each year.

Best Opera for People Who've Never Seen an Opera

Boulder Opera Company

Too often, opera companies discourage new audiences with their exorbitant ticket prices and stuffy environments. Boulder Opera Company, which has been around for three years and recently became a nonprofit, wants to bring opera to people who might not have access to it. In April, the company will be performing Goyescas, by Enrique Granados, and a program of zarzuela pieces; in its upcoming season, Boulder Opera plans to put on more innovative original operas for children and people uncomfortable in traditional opera venues. Boulder Opera is willing to take risks on both unknown composers and its audiences; even when presenting works for kids, it refuses to dumb shows down.

Opera on Tap may be a New York-based nonprofit, but the Colorado chapter is going strong. Like Boulder Opera, the company takes opera out of the stuffy concert halls — but Opera on Tap brings it to bars. Instead of encouraging funereal attitudes and stiff bodies in stiffer seats, Opera on Tap allows audiences to drink and make noise, all while bringing the crowd up close and personal with the performers. Each month the group puts on a show at Syntax Physic Opera, and it hosts a yearly festival showcasing other companies' efforts. We'll drink to that!

Best Reason for Musical Fans to Plan Ahead


Hamilton arrives at the Buell Theatre in the Denver Performing Arts Complex on February 27, 2018. No need to say more.

Children's theater is tricky. The best productions keep young squirmers absorbed while also entertaining their parents, and that can be tough. But Bitsy Stage makes it look easy. The little sister of the innovative all-Shakespeare company Betsy Stage, the group adapts international folk tales for the stage, incorporating lively casts and fun costuming with age-old stories that only improve with time — and then it offers up performances for free. Not surprisingly, shows fill up fast, so grab your gratis tickets now.

Readers' Choice: Arvada Center

Some of the world's best academics and scientists make Boulder their home (though given proposed federal budget cuts, perhaps not for long), so it makes sense that the Boulder Ensemble Theatre Company should have a strong interest in presenting smart programming for adults. The latest of its many scientific offerings is Lauren Gunderson's Silent Sky, the real-life story of Henrietta Swan Leavitt and the female "computers" of the Harvard Observatory, which runs April 6 through April 30. But co-founders Stephen Weitz and Rebecca Remaly are equally interested in history, literature, dramaturgy, feminism, zany humor and human nature, and the coming season offers a brain-teasing mix of new, established and soon-to-be-established playwriting talent — including Guards at the Taj, by Rajiv Joseph, author of the brilliant Bengal Tiger at the Baghdad Zoo.

Readers' Choice: Buntport Theater Company

Edge Theater Company stages interesting, well-done productions ranging from classics to contemporary, hilarious to soul-rending, but beyond guaranteed seats for this impressive repertoire, there's another reason to pick up a season ticket. The Edge gives out its own annual awards at the end of the year — the Edgys — and if you've seen all the season's shows, you get to vote for your favorite actor, actress, ensemble, etc. Even if you haven't voted, you get to enjoy one of the warmest celebration parties in town, where you'll enjoy drinks and good food (served, at the last Edgys, in massive martini glasses), mingle with the theater crowd as everyone vamps, laughs and chats, and watch a comic-serious presentation ceremony. Artistic directors Rick and Patty Yaconis have found a great way to make their audience — which grows larger, more loyal and more exuberant every year — an integral part of the Edge community.

Best Of Denver®

Best Of