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Leon Gallery opened in 2011, rewarding artistic risk-takers, outliers and forward thinkers with a space where they could showcase work that other commercial galleries might not deem "sellable" — and giving 70 percent of any sales to artists who show there, when most galleries split sales 50/50. Recently, Leon has presented everything from the clubbing snapshots by Shadows Gather and photographs documenting police brutality protests in Iran to Raafi Rivero's jerseys honoring Black victims of violence. But while the exhibits were rich, the gallery was not, and by mid-January, Leon was at risk of losing its lease. A fundraising campaign announced via social media paid off quickly, however: With donations from the community, the gallery hit its $20,000 goal within five days. Long live Leon!

The nonprofit nomadic art museum Black Cube commissions large-scale works that comment on a variety of topics, and the installations it mounted last year were particularly big. For the Cities Summit of the Americas, Black Cube went along with the theme of "Global Challenges, Local Solutions" in Pipelines, an interactive installation created from PVC water and sewage pipes by Toronto artists Julia Jamrozik and Coryn Kempster. The most impressive installation, however, was Orisons, by renowned artist Marguerite Humeau, which involved 84 sculptures planted on 160 acres of land at Jones Farms Organics in the San Luis Valley. Humeau took years to speak with people in the area and plan the work, resulting in an otherworldly, historic masterpiece.

A spiraling realm of psychedelia and surrealism awaits at Ryan Joseph Gallery, where artists defy traditional expectations in paintings with cascades of color and emotional depth. Micah Ofstedahl, for example, showed a new way of looking at landscapes in works on shaped canvases, but with overlaid geometry twisting the otherwise photo-realist form; Vanessa Lemen contributed glowing oil paintings that dabble in expressionist abstraction while hinting at pre-known forms. Even the portraits in the most recent group exhibition were imbued with intriguing, surrealist twists, showing that no two artists think or look at things the same way.

2647 West 38th Avenue
ryanjosephgallery.com

When John Lennon called his relationship with May Pang "the lost weekend," it remained a thorn in her side. The pair had a year-and-a-half-long committed relationship, and she has the evidence to back it up. Pang decided to set history straight with her collection of photographs, which landed at Bitfactory last September in The Lost Weekend: Photography of May Pang. Through candid shots of Lennon during the most productive time of his solo career, Pang showed a man reconnecting with his son, smiling with friends and happily in love. She even took what is considered to be the last picture of Lennon with fellow Beatle Paul McCartney. It was an intimate glimpse into the life of one of the world's most famous musicians, and laid to rest any misconceptions about Pang's impact on his life.

Pride isn't limited to one month, and the Northglenn Arts Center and Chicano Council for the Arts and Humanities made that clear with Amor Es Amor, which included works from twelve Latino and Chicano artists, many of whom are also in the LGBTQ+ community. The exhibit revolved around unique narratives, identities and stories of queer individuals. "Queer joy is my priority," artist Tania Maldonado said, "and seeing a wall full of that art — that is something that all of the oppressive systems and things we are having to combat can't take away from us."

Parsons Theatre, 1 East Memorial Parkway, Northglenn
303-450-8888
northglennarts.org

Many locals bemoan the loss of old Denver. There's been a lot of change over the years, particularly in the last three decades, when the city slowly and inexorably moved away from $150-a-month rents for whole floors of old warehouse and factory spaces near downtown that artists could fill with their own work and that of others. Roots of an Era: Mixtape to the Old North Denver Art Scene at BRDG Project honored that time and all the creativity that sprang from it. The show included works from photographer Mark Sink and other local stalwarts such as artists Phil Bender, Reed Weimer, Arlette Lucero, Jerry Jaramillo and the late Stevon Lucero. Because of efforts like this, the city can honor its artistic roots and create some fertile soil for new growth.

3300 Tejon Street
303-808-8912
brdgproject.org
Courtesy RedLine Contemporary Art Center

Artist residencies are a vital part of the artistic community — personal creative think tanks meant to support artists in their development with the time and space to work. RedLine offers the best opportunities in Denver: full two-year residencies for up to eighteen emerging local artists, who get 0x200Bfully subsidized studio spaces and "the freedom to explore and experiment without commercial constraints." Those who receive the residencies also receive mentorship, career development, promotion and the opportunity to work in close proximity with a supportive peer community during their time at the center. If that sounds much like what some of the best collegiate art programs also offer, you're right — but this experience is free, and may just provide the key that unlocks a brighter future for program participants and the art world overall.

Pirate Contemporary Art was born in 1980, when several recent grads from Metropolitan State College were commiserating about the lack of local galleries eager to showcase contemporary work. Luckily, Denver at the time was all about bootstrapping, so they started their own group, and the co-op has grown over the decades to become a nonprofit, member-owned gallery where the most audacious and compelling of local pieces have a temporary home, and where those who appreciate such work can find it. The model has been impressively successful in the last forty-plus years; Pirate's continued participation in and influence over the local arts scene is testament to that.

Like the story of Casa Bonita itself, Next Gallery's annual exhibit devoted to the pink palace has taken some weird twists and turns over the years. Next now shares the same shopping center home as the famed eatertainment complex, which was closed for more than three years after the COVID shutdown and then was taken over by the creators of South Park. This year's show, with the theme How Do You Like Me Now?, was as strong as the previous six, full of creative work that vied for a grand prize: a table for six at Casa Bonita itself. No small beans, that, since some people are still on the waiting list ten months after Casa Bonita (sort of) reopened.

6501 West Colfax Avenue, Lakewood
303-433-4933
nextgallery.org

The DIY scene is being reinvigorated by Squirm Gallery, which took over the same space that housed the legendary Rhinoceropolis. Most of the artists who started Squirm — Zak Ashburn, Zach Burke, Cyrena Rosati, Ruby Sumners, Alishya Swenning and Peina Vella — had been to that venue and its neighbor, Glob, and felt that while the city has a healthy DIY scene for music, it was lacking for the visual arts. And when Burke heard that the space was available, it seemed like destiny. Squirm opened with a visual-art show from Michael Stein, as well as concerts by KYC DJs, American Culture, Fragrant Blossom and Angel Band. And in the back, Squirm members have outfitted studio space with screen and risograph printers, a kiln, a darkroom, a metalsmithing setup, paints and more. DIY is far from dead.

3553 Brighton Boulevard
@squirmgallery

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